Mike Ahern & Enda Loughman, Co-Directors/Co-Writers of ‘Extra Ordinary’

In this podcast, Paul Farren talks to Mike Ahern & Enda Loughman, Co-Directors/Co-Writers of Extra Ordinary, a supernatural comedy which tells the story of Rose, a sweet and lonely small town driving instructor who must use her supernatural ‘talent’ to save the daughter of a local man from a washed up rock-star looking to use her in a satanic pact that will reignite his fame.

Mike & Enda discuss things that go bump in the night, getting the project from script to screen, and working with Maeve Higgins, Will Forte, Barry Ward and Terri Chandler. They also talk about their early days in IADT and experimenting on mini-VHS tape, making music videos, ads, the influences behind their work and being practical with visual effects .

Extra Ordinary is released in Irish cinemas 13th September

 

 

vimeo.com/teamdaddy

 

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Reel Horror Show: Episode 13

Reel Horror Show’s Mark Sheridan is joined by Dr Sarah Cleary in this special episode to explore the cobwebbed tunnels of horror.

Sarah and Mark discuss how the horror genre is being controlled, regulated and restricted in response to its alleged effect on children. Other topics include horror as the messenger. Trump horror.  A take-down of Stranger Things and the comfort blanket of ’80s nostalgia. Franchises! Zombies!! – watching Diary of the Dead in the context of Love Island. The Exorcist as a conservative narrative. Is there ever a cause for censorship? An examination of I Spit on Your Grave. The discomfort of seeing the human in the monster. A look at Midsommar‘s folk horror. The condition of Irish horror and where it can go. Plus a Rob Zombie love-in.

And to quote Sarah – “a good horror should always leave us a little bit looking over our shoulder as we leave the cinema”

 

 

Dr Sarah Cleary

Awarded her PhD in Horror, Sarah has dedicated her studies to exploring the juxtaposition between the media and the alleged negative effects of popular culture on children. Having published and given talks on a wide variety of horror and pop culture subjects, from eco-zombies to satanic panic, Sarah splits her time between lecturing and academic consultancy in the media. 

With her first book on horror and censorship forthcoming in 2019, when she is not nose deep in books and film, Sarah is also a horror specialist and pop culture panellist on a day time current affairs TV show, Creative Director of Horror Expo Ireland which seeks to unite academia and pop culture and producer of The Rocky Horror Picture Show Ireland, now in its 15th year.

sarahcmcleary@gmail.com

@sarah_clearysc

https://www.facebook.com/horrorexpoireland

www.linkedin.com/in/drsarahcleary

Reel Horror Show, Irish Film Podcast

 

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The Bleeding Pig Film Festival Roundtable Podcast

L-R Emma Fagan, Laura O’Shea, Gemma Creagh, Mia Mullarky

In this podcast Gemma Creagh is joined by Emma Fagan, programme manager of The Bleeding Pig Film Festival (9-11 September) and filmmakers Mia Mullarky (Mother & Baby) and Laura O’Shea (Hold the Line), whose films are screening at the festival.

46′ 03″

Mother & Baby (Mia Mullarky)

Mother & Baby explores the memories of Mother & Baby Home survivors who were sold or fostered out by the Irish church and state if their mothers conceived them out of wedlock.

Mia Mullarkey is a film director based in Dublin, Ireland. She
directed several successful shorts, receiving 35 awards globally, and screening at major international short film festivals such as Palm Springs, Aesthetica, São Paulo, Valladolid, Tehran and Helsinki. In 2018 Mia received the Discovery Award at Dublin International Film Festival for her body of work, and was made the 2018/2019 Filmmaker-in-Residence with Virgin Media Dublin International Film Festival and The Digital Hub.

http://motherandbabyfilm.com
http://miamullarkey.com
http://ishkafilms.com/

Hold the Line (Laura O’Shea)

Em works in a call centre. She faces a day that’s more difficult than the usual ‘customer care queries’ and is on the brink. That’s until: she picks up the phone to Patsy.

Laura O’Shea is an award winning actor/writer/filmmaker from Limerick City. Her filmmaking-debut was a Short Film titled Hold the Line. This was the Winner of the ‘Best Short Film’ award at the 2019 Belfast Film Festival and it also won the ‘Audience Award’ at the 2019 Chicago Irish Film Festival. Laura won the award for ‘Best Actress’ at the 2018 Richard Harris International Film Festival for her performance in Hold the Line and also received a Special Mention at IndieCork 2018 for ‘Best Emerging Irish Female Director’. In the theatre world, her play Knowing Nathan that she co-wrote as well as acted in was the Winner of the ‘Judge’s Choice Award’ at the 2018 Galway Fringe Festival. Laura comes from a musical background and holds an MA in Music Technology.

Emma Fagan has a background in marketing and project management but her life-long passion for film led her away from office life and, for the last six years, she has worked with a number of Irish film festivals in various capacities. In 2016, in association with the Bleeding Pig Cultural Festival in Donabate, Co. Dublin she set up the Bleeding Pig Film Festival, platforming independent Irish film to the local community there. Emma also runs a PR & Marketing agency, Fillum, which promotes independent filmmakers in Ireland.

 

Mother & Baby and Hold the Line screen as part of a selection of short films all written/and or directed by women on Tuesday, 10th September: 7.30pm to 9pm – followed by a Q&A.

The 2019 Bleeding Pig Film Festival takes place 9-11 September in Keelings of Donabate, Co. Dublin.

The full programme is here.

 

 

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Ivan Kavanagh, Writer/Director of ‘Never Grow Old’

In this podcast, Paul Farren talks to Ivan Kavanagh about his latest feature Never Grow Old and the influences behind it, and discusses the Western genre in general and its enduring appeal. Ivan also talks about working with John Cusack, Emile Hirsch and Déborah François and the craft of filmmaking itself.

In Never Grow Old, Irish carpenter and undertaker Patrick Tate (Hirsch) lives with his young family on the outskirts of a small frontier town on the California trail during the 1849 gold rush. It’s a tough but relatively peaceful place, until outlaw Dutch Albert (Cusack) and his gang take over, killing anyone who stands up to them. Patrick initially plays a dangerous game, profiting from the outlaws’ mayhem, but it is only a matter of time before he must protect his own from the bloodshed.

Starring Emile Hirsch (Once Upon a Time In Hollywood, Into The Wild), Déborah François (L’Enfant) and John Cusack (High Fidelity, Being John Malkovich), Never Grow Old was filmed in Galway and Luxembourg and was produced by Dominic Wright and Jacqueline Kerrin for Ripple World Pictures and Nicolas Steil for the Iris Productions Group.

Never Grow Old is released in Irish cinemas Friday, 23rd August.

40′ 16″

 

 

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Film Ireland Podcast: Episode 37- Sexy Thrillers… There’s No Buckets Involved

 

Sarah Cullen and Richard Drumm return to give us their latest contemplations and ruminations on film.

This episode’s reviews include The Lonely Battle of Thomas Reid, Never Grow Old and Toy Story 4. Netflix fodder Secret Obsession and Kidnapping Stella, plus a daylit look at MidSommar, Woman at War, Once Upon a Time in Hollywood and Good Boys.

 

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The Dublin Feminist Festival: Filmmaker Carmen García & Programme Manager Dr Jennifer O’Meara

In this podcast, Gemma Creagh is joined by Carmen García and Dr Jennifer O’Meara to talk about the Dublin Feminist Film Festival, which runs 22 – 24 August 2019.

Carmen García is a feminist videojournalist, journalist and filmmaker. Her film Tra na mban / Ladies Beach screens at the festival as part of the shorts programme on Thursday, 22nd August.

Dr Jennifer O’Meara is an Assistant Professor in Film Studies at Trinity College Dublin, and a programming manager for the Dublin Feminist Film Festival.

Full programme here
Buy tickets here
Tra na mban / Ladies Beach (2019) Mexico (6.36)
Dir. Carmen Garcia Gonzalez

 

 

In the west coast of Ireland, a group of Irish women 40 to 80 years old swim every morning in the Atlantic cold waters come rain or shine. Martell, who hasn’t missed a day in 10 years now, let us know how is it for her and the swimmers to meet at the Ladies Beach in Galway, vent together under the cold water and share a hot coffee and a warm chat afterwards. A tight-knit bunch brought together by their love to the sea.

 

Instagram: @carmengarxia
Twitter: @carmengarxia

 

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GAZE International LGBT Film Festival Roundtable

From left to right Katie McNeice, Tom Speers, Maya Derrington, Gemma Creagh and Roisín Geraghty

In this podcast, we welcome three filmmakers whose works are screening at this year’s GAZE International LGBT Film Festival (1 – 5 August). Maya Derrington, Katie McNeice and Tom Speers join Gemma Creagh to talk about their films and filmmaking.

Plus festival director Roisín Geraghty pops in to give us a quick look at this year’s programme.

Frida Think (Maya Derrington)

A woman walks into a party dressed as Frida Kahlo, only to find that her version of unique has mass appeal.


In Orbit (Katie McNeice)

A hypnotic and beautiful love story between two women that crosses both time and space.


Boy Saint (Tom Speers)

A sumptuous short film of friendship and adoration between boys, based on a poem by Peter LaBerge.

The GAZE International LGBT Film Festival runs from 1 – 5 August 2019. 

The Irish Shorts programme screens at  6:30pm at the Light House cinema on Sunday, 4th August.

Full programme & tickets here.

 

 

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Hugh O’Conor, Director of Metal Heart

In this podcast, Gemma Creagh is joined by writer Stephen Shields (The Hole in The Ground, 2019) to chat to Hugh O’Conor about his feature directorial debut Metal Heart.

Hugh talks about  pitching “Twin Peaks in Terenure” to writer Paul Murray, the development process, a darker version, casting and working with the actors. Hugh explains how his own background as an actor influences his directing and learning from other directors he’s worked with as an actor. Finally, Hugh sheds light on getting the soundtrack right, Louise O’Neill’s influence on the script ,  creating a complex bad guy and Resistance, an upcoming pilot for RTE.

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Film Ireland Podcast: Episode 36 – I’m Jesus. I Want Cocaine

 

Sarah Cullen and Richard Drumm return to open up the bonnet of film. In this episode, our podders shine a light on Netflix fodder Rim of the World, I Am Mother, When They See Us and The Perfection, and take a look at some recent cinema releases, including Too Late To Die Young,  Diego Maradona, Brightburn, X-Men: Dark Phoenix, High Life, Godzilla: King of the Monsters and In Fabric.

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Prisoners of the Moon – Johnny Gogan, Director & Nick Snow, Writer

Image used with kind permission from the IFI

In this podcast, Gemma Creagh talks to director Johnny Gogan and writer Nick Snow at a special screening of Prisoners of the Moon at the IFI.  The film tells the story of Arthur Rudolph, a scientist who played a key role in NASA’s historic 1969 moon landing. Rudolph was one of over 100 Nazi V-2 rocket engineers secretly brought to America in 1945 to work on the Cold War missile programme. He became a key figure in NASA’s space race, but was arrested in Toronto in 1990 on suspicion of being a war criminal. The dramatised trial (featuring Jim Norton and Cathy Belton) animates this revelatory documentary which uses archive material, expert witness interviews, and the testimony of Jean Michel, a slave labour survivor of the subterranean wartime V-2 Rocket.

https://www.prisonersofthemoon.com/events

This podcast was recorded at the IFI on Monday, 1st July 2019 at a special screening of Prisoners of the Moon.

 

 

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Reel Horror Show: Episode 12

Otto Lehtonen

 

Our grotesque gathering of ghouls and goblins return to spread mischief in the latest episode of the Reel Horror Show. Ali Doyle, Conor Dowling, Conor McMahon and Mark Sheridan are all chained at the ankle to a pipe and will only be set free by discussing horror for over an hour – will they succeed and be freed or will they fail and be handed a hacksaw by their evil editor. 

Films that come under the horror hammer include Extremely Wicked, Shockingly Evil and Vile,  Escape Room, The Silence, Us,  The Twilight Zone, Mom and Dad, Insidious IV, A Nightmare on Elm Street, Victor Crowley, The Cure for Wellness, Unfriended: Dark Web, Slenderman, Possum – “it’s a guy, with a bag, with a spider in it…”, The Haunting of Sharon Tate, Necromancer, Patchwork, May, Pet Sematary.


 

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John Butler, Writer/Director Papi Chulo

Set in modern-day Los Angeles, Papi Chulo tells of a down-on-his-luck weatherman (Matt Bomer) who is shaken by the end of a relationship. He has an on-air meltdown, prompting concerned bosses to persuade him to take some time out. To fill his days, he employs a Latino migrant worker (Alejandro Patiño) to paint his home but also to keep him company. Despite their cultural, age and language differences, they connect.

Paul Farren sat down with writer/director John Butler to talk about creating his comedy/drama,  the themes of empathy and unlikely friendship, the talents of Matt Bomer and Alejandro Patiño and working with DOP Cathal Watters and composer John McPhillips.


Papi Chulo is in cinemas from 7th June 2019

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Film Ireland Podcast: Episode 35 – Drop Kick a Puppy

 

Sarah Cullen and Richard Drumm address the nation and share their latest jibber jabber on some new films that people have made for you to see, including dream-chasing and drug-taking in Wild Rose,  spotting Dublin streets in Greta, and high-school yarns in 8th Grade and Book Smart.

Sarah takes a look at three Netflix films with women drinking in Wine Country, a lack of murders in Who Would you Take to a Desert Island, and alive ghosts in Suzzanna: Buried Alive.

Richard takes his seat at the High Table and discusses the endless shoot-outs of John Wick: Chapter 3 – Parabellum, nonsense in the cinema at Pokémon: Detective Pikachu, and the pointlessness of Vox Lux.

And finally there’s the glass cliff of Avengers: Endgame (were they tears Richard?)

Listen…

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Land Without God screened on 28th February 2019 as part of theDublin International Film Festival (20th February – 3rd March).

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Jon Hozier-Byrne

In this podcast, Natasha Waugh talks to Jon Hozier-Byrne, a filmmaker from Dublin, Ireland. John has a BA and an MA in Film Studies from University College Dublin, where he taught film until 2014, when he founded Stoneface Films. Since then, he’s had his directorial work featured in the Cannes Film Festival, and created music videos for the likes of We Cut Corners, Hozier, Mick Flannery, and Hometown.

 

 

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Carmel Winters, Writer/Director of ‘Float Like A Butterfly’

Float Like a Butterfly is a powerful and timely story of a girl’s fight for freedom and belonging.  Some people say it doesn’t matter whether you win or lose.  But for Frances losing is not an option – at stake is her own freedom, her mother’s honour and her father’s faith.  

In this podcast, Paul Farren talks to Carmel Winters about her film and the art and craft of filmmaking. 

Float Like A Butterfly is opening in the following sites from today:

  • Cinemax Bantry
  • Eye Galway
  • Gate Cork
  • IFI
  • IMC Dun Laoghaire
  • IMC Galway
  • IMC Savoy
  • Light House
  • Movies @ Dundrum
  • Odeon Coolock
  • Odeon Stillorgan
  • Stella Devlin
  • The Park Clonakilty
  • W Cinema Westport
  • And QFT confirmed for 17 May – the film will be touring the country afterwards

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Alan Mulligan, Writer/Director of ‘The Limit Of’

James Allen (Laurence O’Fuarain) is a successful, controlling, thirty-something banker living alone and working in Dublin city at the tail-end of the recession. When a family tragedy occurs at the hands of his employer he decides to take action which forces him to face a terrible childhood secret. Meanwhile, his mysterious co-worker Alison (IFTA-nominated Sarah Carroll) has her own agenda, which puts her on a collision course with James, triggering a dark spiral of deceit, revenge, and murder.

Gemma Creagh met up with writer/director Alan Mulligan to talk about his look at modern-day greed and desire, and society’s ever-growing need for control.


The Limit Of was released in cinemas on 5th April 2019 and is still playing in The Eye Galway and Mayo Movie World.

 

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Film Ireland Podcast: Episode 34 – Eat Your Slops

 

In a Brexit-themed show, our podders, Sarah Cullen and Richard Drumm, discuss junk-checking in Captain Marvel, whip out the Irish Bleakometre for The Miami Showband Massacre, The Hole in the Ground, and Shooting the Mafia. There’s chat about the buffed fingers of Free Solo, the Peeping Toms of Under the Silver Lake, the harsh yellows of At Eternity’s Gate with Willem Dafoe’s demon face and the tragic horror of Us.

 

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Reel Horror Show: Episode 11

Our possessed podcast posse return after a hiatus in the netherworld. Summoned back to earth, Conor McMahon, Mark Sheridan, Ali Doyle and Conor Dowling cast a darkened eye over the likes of Suspiria, The Hole in the Ground, Halloween, The House that Jack Built, Anna and the Apocalypse, The Guilty, One Cut of the Dead, Overlord, Castle Rock, Horror Noire: A History of Black Horror, He’s Out There and The Monster.

Caution. This podcast may contain thigh-slapping.

Oo welcome, ahhh oo magu welcome to the Reel Horror Show.

 

 

 

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Nick McLean

The legendary cinematographer Nick McLean is currently in Ireland for a series of events honouring his work.  We were fortunate enough to have Nick join us to chat with Paul Farren about his illustrious career. Nick is joined by film historian Wayne Byrne, who co-authored a book with Nick which details McLean’s life and work on some of the biggest films and television shows of the past fifty years.

Nick takes us inside Hollywood and shares some fabulous stories, working with the likes of Steven Spielberg, Robert Altman, Vilmos Zsigmond, László Kovács, Brian De Palma, Burt Reynolds, Warren Beatty, Hal Ashby, Clint Eastwood, Mel Brooks, Richard Donner on The Goonies and Superman and working on Friends.

 

Events

March 8 – Triskel Arts Centre (Short Circuit film screening + Q&A; Cobra film screening + Introduction)
March 9 – The Harbour Hotel (An Audience with Nick McLean Masterclass)
                – Palas Cinema (The Goonies film screening + Q&A)
March 11 – The Sugar Club (Spaceballs film screening + Introduction and Q&A)
March 15 – Naas Community Library (An Evening with Nick McLean)
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Film Ireland Podcast: Episode 33 – Sandblasted and Dehydrated

 

Sarah Cullen and Richard Drumm are back in your ear to deliver their take on the Oscars. Plus amongst their reviews, Sarah implores you not to see Dragged Across Concrete, Richard ponders the point of Cold Pursuit, starring Liam Neeson as an avenging Mr Plough and there’s love for If Beale Street Could Talk and a look at… a look at… a look at Happy Death Day 2U. Outside of the cinema, there’s a bit of Netflix chats and on the Irish cinema front Richard finds himself liking Cellar Door.
 

 

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Viko Nikci, Writer/Director of ‘Cellar Door’

Cellar Door tells the story of young lover Aidie as she searches for her son while in the grip of the Church. But as she gets closer to the truth, she suffers uncontrollable shifts in time and place that send her spiralling.

Gemma Creagh sat down with writer/director Viko Nikci to open up the Cellar Door and find out more about his moving mystery thriller.

Cellar Door is showing at Cineworld, Eye Cinema, IMC Dun Laoghaire, The Gate and Movies@Dundrum.

 

Follow Cellar Door on Facebook

 

 

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Kate Dolan

Filmmaker Kate Dolan was recently named in the Irish Times Top 50 people to watch in 2019: Ireland’s hottest young talent. Gemma Creagh sat down to talk to Kate about her career to-date and what we can look forward to in 2019. 

Kate graduated with an Honours Degree in Film & Television Production from the National Film School, IADT in 2012. There, she majored in Directing and minored in Editing. Her graduate short Breathe In (2012) was selected for a number of Irish and international film festivals. She then worked as a Broadcast Producer in TBWA Dublin for almost 2 years after graduating.

In 2014, Kate attended Berlinale Talents to develop a short called Little Doll at the Short Film Script Station. The film depicts the first same-sex crush of a young girl. The short then premiered as part of Generation Kplus at Berlinale 2016. For her work with Little Doll, Kate was included in the British Council’s fiveFilms4freedom 2016 Global List – 33 inspiring people from around the world promoting freedom, equality and LGBT rights every day.

In 2016 Kate was chosen to take part in the Guiding Lights, the UK’s leading mentoring scheme for filmmakers and was paired with director Alice Lowe (Prevenge, Sightseers)

In 2017, Kate was funded by Screen Ireland to make Catcalls, an irreverent horror about a sexual predator who gets what’s coming to him. The film won Best Short Film at the YDA Ireland in 2018 and has played at many festivals all over the world since its premiere at the Cork Film Festival in 2017.

Recently, Kate was selected for Screen Ireland to take part in their inaugural POV scheme. The selected projects will enter a development and mentorship phase before three will be greenlit, with a budget of up to €400,000 each – the money has been ring-fenced from Screen Ireland’s overall production budget. They will be aiming to enter production in late 2019/early 2020. You Are Not My Mother is a horror feature to be written and directed by Kate and produced by Deirdre Levins (Nails) for Fantastic Films.

In the world of music videos, Kate has gained praise for her work with Bitch Falcon and Maria Kelly as well as her recently critically acclaimed video for Pillow Queens’ ‘Gay Girls’.

 

 

 

 

 

 

 

Kate Dolan: Little Doll

 

 

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Film Ireland Podcast: Episode 32 – Space Jesus & Sudden Male Nudity

 

Sarah Cullen & Richard Drumm return to your ears after a forced lengthy absence in 2018. We hope to find a home in 2019 and have them back for their almost-regular film ruminations. For now, we set up shop in an abandoned room and reflected on the year in film…

The pod kicks off with our buffs looking at their favourite Irish films of the year and includes Richard finally asking Sarah if she’s “got any yokes”.

Our best branding people came together to title a special section for this episode called “The 2018 Oscar Films that Only Came Out Here in 2018 but Are Technically 2017 Films”, including a look at the politics of Phantom Thread and the fish-sex movie.

After discussing the sudden appearances of naked men, Sarah and Richard pull apart their favourite films of the year, discuss recurring tropes in the year in film, including assimilation, Motherhood as a horrifying thing, highbrow trash and how deaths of wives and girlfriends give men the opportunity to become violent and get in touch with their emotions. Handy.

Finally there’s the delicious mention of turkeys of the year.

Ear ye. Ear ye…


 

2018: Writers’ Choice

 

 

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Capital Irish Film Festival: Chairman, Paddy Meskell & Director, Pat Reilly

 

John Collins spoke to Chairman of the Capital Irish Film Festival, Paddy Meskell and Festival Director Pat Reilly about the origins and evolution of the festival, the importance of an Irish film festival in Washington and the challenges the festival faces.

The Capital Irish Film Festival celebrates annually the best of new Irish features, documentaries, shorts and animation, and particularly welcomes Irish language films.

 

 

 

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Capital Irish Film Festival: Editor, Tony Cranstoun

John Collins spoke to Tony Cranstoun, editor of A Date for Mad Mary and The Farthest, which closed this year’s Capital Irish Film Festival in Washington D.C. John was good enough to send us on his recording of their conversation.

The Farthest chronicles NASA’s 1977 launch of twin space probes, sent to capture images of remote planets and bear messages from Earth.
 

The Farthest screened on 4th March 2018 as part of the Capital Irish Film Festival

 

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InConversation: Tony Cranstoun

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Aoife O’Toole, Dublin Feminist Film Festival Manager

Gemma Creagh talks to Aoife O’Toole, the Dublin Feminist Film Festival Manager, about what we can expect at this year’s festival with screenings in the Light House Cinema 21st and 22nd November plus Special Launch Events taking place on 20th November in The Generator Hostel, Smithfield. 

 

 

The Dublin Feminist Film Festival runs 20 – 22 November 

#DFFF2018 = Reframe/Refocus

www.dublinfeministfilmfestival.com

 

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On the Red Carpet Podcast: The Little Stranger

Lenny Abrahamson’s new film The Little Stranger tells the story of Dr. Faraday (Domhnall Gleeson), the son of a housemaid, who has built a life of quiet respectability as a country doctor. During the long hot summer of 1948, he is called to a patient at Hundreds Hall, where his mother once worked. The Hall has been home to the Ayres family for more than two centuries. But it is now in decline and its inhabitants – Mrs. Ayres (Charlotte Rampling), Roderick Ayres (Will Poulter) and Caroline Ayres (Ruth Wilson) – are haunted by something more ominous than a dying way of life. When he takes on his new patient, Faraday has no idea how closely, and how disturbingly, the family’s story is about to become entwined with his own.

Gemma Creagh was at the European premiere at the Light House cinema in Dublin and talked to Domhnall Gleeson, Will Poulter, Lenny Abrahamson and Ruth Wilson.

 

 

 

The Little Stranger is currently in cinemas

 

 

Irish Film Review: The Little Stranger

 

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Capital Irish Film Festival: Elynia Betts, Director of Maeve and the Moon

 

John Collins spoke to Elynia Betts, whose short film Maeve and the Moon screened at this year’s Capital Irish Film Festival in Washington D.C. John was good enough to send us on his recording of their conversation.

When her father offhandedly remarks that her mother is “asking for the moon,” imaginative and resilient Maeve decides to set off on her own to find the moon and bring it home.

 


 
 
Maeve and the Moon screened at the Capital Irish Film Festival on 4th March 2018.

 

 

Capital Irish Film Festival: Colin McIvor – Director of ‘The Zoo’

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