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Alan Mulligan, Writer/Director of ‘The Limit Of’

James Allen (Laurence O’Fuarain) is a successful, controlling, thirty-something banker living alone and working in Dublin city at the tail-end of the recession. When a family tragedy occurs at the hands of his employer he decides to take action which forces him to face a terrible childhood secret. Meanwhile, his mysterious co-worker Alison (IFTA-nominated Sarah Carroll) has her own agenda, which puts her on a collision course with James, triggering a dark spiral of deceit, revenge, and murder.

Gemma Creagh met up with writer/director Alan Mulligan to talk about his look at modern-day greed and desire, and society’s ever-growing need for control.


The Limit Of was released in cinemas on 5th April 2019 and is still playing in The Eye Galway and Mayo Movie World.

 

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Film Ireland Podcast: Episode 34 – Eat Your Slops

 

In a Brexit-themed show, our podders, Sarah Cullen and Richard Drumm, discuss junk-checking in Captain Marvel, whip out the Irish Bleakometre for The Miami Showband Massacre, The Hole in the Ground, and Shooting the Mafia. There’s chat about the buffed fingers of Free Solo, the Peeping Toms of Under the Silver Lake, the harsh yellows of At Eternity’s Gate with Willem Dafoe’s demon face and the tragic horror of Us.

 

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Reel Horror Show: Episode 11

Our possessed podcast posse return after a hiatus in the netherworld. Summoned back to earth, Conor McMahon, Mark Sheridan, Ali Doyle and Conor Dowling cast a darkened eye over the likes of Suspiria, The Hole in the Ground, Halloween, The House that Jack Built, Anna and the Apocalypse, The Guilty, One Cut of the Dead, Overlord, Castle Rock, Horror Noire: A History of Black Horror, He’s Out There and The Monster.

Caution. This podcast may contain thigh-slapping.

Oo welcome, ahhh oo magu welcome to the Reel Horror Show.

 

 

 

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Nick McLean

The legendary cinematographer Nick McLean is currently in Ireland for a series of events honouring his work.  We were fortunate enough to have Nick join us to chat with Paul Farren about his illustrious career. Nick is joined by film historian Wayne Byrne, who co-authored a book with Nick which details McLean’s life and work on some of the biggest films and television shows of the past fifty years.

Nick takes us inside Hollywood and shares some fabulous stories, working with the likes of Steven Spielberg, Robert Altman, Vilmos Zsigmond, László Kovács, Brian De Palma, Burt Reynolds, Warren Beatty, Hal Ashby, Clint Eastwood, Mel Brooks, Richard Donner on The Goonies and Superman and working on Friends.

 

Events

March 8 – Triskel Arts Centre (Short Circuit film screening + Q&A; Cobra film screening + Introduction)
March 9 – The Harbour Hotel (An Audience with Nick McLean Masterclass)
                – Palas Cinema (The Goonies film screening + Q&A)
March 11 – The Sugar Club (Spaceballs film screening + Introduction and Q&A)
March 15 – Naas Community Library (An Evening with Nick McLean)
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Film Ireland Podcast: Episode 33 – Sandblasted and Dehydrated

 

Sarah Cullen and Richard Drumm are back in your ear to deliver their take on the Oscars. Plus amongst their reviews, Sarah implores you not to see Dragged Across Concrete, Richard ponders the point of Cold Pursuit, starring Liam Neeson as an avenging Mr Plough and there’s love for If Beale Street Could Talk and a look at… a look at… a look at Happy Death Day 2U. Outside of the cinema, there’s a bit of Netflix chats and on the Irish cinema front Richard finds himself liking Cellar Door.
 

 

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Viko Nikci, Writer/Director of ‘Cellar Door’

Cellar Door tells the story of young lover Aidie as she searches for her son while in the grip of the Church. But as she gets closer to the truth, she suffers uncontrollable shifts in time and place that send her spiralling.

Gemma Creagh sat down with writer/director Viko Nikci to open up the Cellar Door and find out more about his moving mystery thriller.

Cellar Door is showing at Cineworld, Eye Cinema, IMC Dun Laoghaire, The Gate and Movies@Dundrum.

 

Follow Cellar Door on Facebook

 

 

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Kate Dolan

Filmmaker Kate Dolan was recently named in the Irish Times Top 50 people to watch in 2019: Ireland’s hottest young talent. Gemma Creagh sat down to talk to Kate about her career to-date and what we can look forward to in 2019. 

Kate graduated with an Honours Degree in Film & Television Production from the National Film School, IADT in 2012. There, she majored in Directing and minored in Editing. Her graduate short Breathe In (2012) was selected for a number of Irish and international film festivals. She then worked as a Broadcast Producer in TBWA Dublin for almost 2 years after graduating.

In 2014, Kate attended Berlinale Talents to develop a short called Little Doll at the Short Film Script Station. The film depicts the first same-sex crush of a young girl. The short then premiered as part of Generation Kplus at Berlinale 2016. For her work with Little Doll, Kate was included in the British Council’s fiveFilms4freedom 2016 Global List – 33 inspiring people from around the world promoting freedom, equality and LGBT rights every day.

In 2016 Kate was chosen to take part in the Guiding Lights, the UK’s leading mentoring scheme for filmmakers and was paired with director Alice Lowe (Prevenge, Sightseers)

In 2017, Kate was funded by Screen Ireland to make Catcalls, an irreverent horror about a sexual predator who gets what’s coming to him. The film won Best Short Film at the YDA Ireland in 2018 and has played at many festivals all over the world since its premiere at the Cork Film Festival in 2017.

Recently, Kate was selected for Screen Ireland to take part in their inaugural POV scheme. The selected projects will enter a development and mentorship phase before three will be greenlit, with a budget of up to €400,000 each – the money has been ring-fenced from Screen Ireland’s overall production budget. They will be aiming to enter production in late 2019/early 2020. You Are Not My Mother is a horror feature to be written and directed by Kate and produced by Deirdre Levins (Nails) for Fantastic Films.

In the world of music videos, Kate has gained praise for her work with Bitch Falcon and Maria Kelly as well as her recently critically acclaimed video for Pillow Queens’ ‘Gay Girls’.

 

 

Gregory Crewdson

Untitled (Girl on Window)

 

 

 

 

 

Kate Dolan: Little Doll

 

 

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Film Ireland Podcast: Episode 32 – Space Jesus & Sudden Male Nudity

 

Sarah Cullen & Richard Drumm return to your ears after a forced lengthy absence in 2018. We hope to find a home in 2019 and have them back for their almost-regular film ruminations. For now, we set up shop in an abandoned room and reflected on the year in film…

The pod kicks off with our buffs looking at their favourite Irish films of the year and includes Richard finally asking Sarah if she’s “got any yokes”.

Our best branding people came together to title a special section for this episode called “The 2018 Oscar Films that Only Came Out Here in 2018 but Are Technically 2017 Films”, including a look at the politics of Phantom Thread and the fish-sex movie.

After discussing the sudden appearances of naked men, Sarah and Richard pull apart their favourite films of the year, discuss recurring tropes in the year in film, including assimilation, Motherhood as a horrifying thing, highbrow trash and how deaths of wives and girlfriends give men the opportunity to become violent and get in touch with their emotions. Handy.

Finally there’s the delicious mention of turkeys of the year.

Ear ye. Ear ye…


 

2018: Writers’ Choice

 

 

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Capital Irish Film Festival: Chairman, Paddy Meskell & Director, Pat Reilly

 

John Collins spoke to Chairman of the Capital Irish Film Festival, Paddy Meskell and Festival Director Pat Reilly about the origins and evolution of the festival, the importance of an Irish film festival in Washington and the challenges the festival faces.

The Capital Irish Film Festival celebrates annually the best of new Irish features, documentaries, shorts and animation, and particularly welcomes Irish language films.

 

 

 

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Capital Irish Film Festival: Editor, Tony Cranstoun

John Collins spoke to Tony Cranstoun, editor of A Date for Mad Mary and The Farthest, which closed this year’s Capital Irish Film Festival in Washington D.C. John was good enough to send us on his recording of their conversation.

The Farthest chronicles NASA’s 1977 launch of twin space probes, sent to capture images of remote planets and bear messages from Earth.
 

The Farthest screened on 4th March 2018 as part of the Capital Irish Film Festival

 

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InConversation: Tony Cranstoun

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Aoife O’Toole, Dublin Feminist Film Festival Manager

Gemma Creagh talks to Aoife O’Toole, the Dublin Feminist Film Festival Manager, about what we can expect at this year’s festival with screenings in the Light House Cinema 21st and 22nd November plus Special Launch Events taking place on 20th November in The Generator Hostel, Smithfield. 

 

 

The Dublin Feminist Film Festival runs 20 – 22 November 

#DFFF2018 = Reframe/Refocus

www.dublinfeministfilmfestival.com

 

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On the Red Carpet Podcast: The Little Stranger

Lenny Abrahamson’s new film The Little Stranger tells the story of Dr. Faraday (Domhnall Gleeson), the son of a housemaid, who has built a life of quiet respectability as a country doctor. During the long hot summer of 1948, he is called to a patient at Hundreds Hall, where his mother once worked. The Hall has been home to the Ayres family for more than two centuries. But it is now in decline and its inhabitants – Mrs. Ayres (Charlotte Rampling), Roderick Ayres (Will Poulter) and Caroline Ayres (Ruth Wilson) – are haunted by something more ominous than a dying way of life. When he takes on his new patient, Faraday has no idea how closely, and how disturbingly, the family’s story is about to become entwined with his own.

Gemma Creagh was at the European premiere at the Light House cinema in Dublin and talked to Domhnall Gleeson, Will Poulter, Lenny Abrahamson and Ruth Wilson.

 

 

 

The Little Stranger is currently in cinemas

 

 

Irish Film Review: The Little Stranger

 

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Capital Irish Film Festival: Elynia Betts, Director of Maeve and the Moon

 

John Collins spoke to Elynia Betts, whose short film Maeve and the Moon screened at this year’s Capital Irish Film Festival in Washington D.C. John was good enough to send us on his recording of their conversation.

When her father offhandedly remarks that her mother is “asking for the moon,” imaginative and resilient Maeve decides to set off on her own to find the moon and bring it home.

 


 
 
Maeve and the Moon screened at the Capital Irish Film Festival on 4th March 2018.

 

 

Capital Irish Film Festival: Colin McIvor – Director of ‘The Zoo’

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Capital Irish Film Festival: Colin McIvor – Director of ‘The Zoo’

 

 

John Collins spoke to Colin McIvor, whose film Zoo opened this year’s Capital Irish Film Festival in Washington D.C.

The film, which features Ian McElhinney, Amy Huberman, Toby Jones and Penelope Wilton, recounts the story of young Tom and his misfit friends, who fight to save ‘Buster’ the baby elephant during the German air raid bombings of Belfast in 1941.

 

 

Zoo screened at the Capital Irish Film Festival on 1st March 2018.

Zoo is released in Irish cinemas on 29th June 2018.

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Film Ireland Podcast: Episode 31 – A Giant Pile of Falsehoods

In this end of year peachy pod, Sarah Cullen and Richard Drumm reflect on 2017 and pick out their top movies, plus their worst moments – including Richard’s newly diagnosed persicaphobia.

There’s also a round up of some recent films, including It Tolls for Thee, Battle of the Sexes – featuring Sarah’s tennis rant, The Death of Stalin, Thor: Ragnarok, The Disaster Artist, Call Me By Your Name, The Last Jedi – and all its sex scenes.

Happy new year…

Film Ireland Podcasts

 

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Reel Horror Show: Episode 10

To see the year off, our yuletide yetis, Ali Doyle, Conor Dowling, Conor McMahon and Mark Sheridan gathered together roasting corpses on an open fire and discussing their latest horror oglings. They also mull over haunted house films and recommend a few Christmas horrors to see you through the festive season. 

Happy horrordays from everyone at Reel Horror Show

 

Film Ireland Podcasts

 


Creep 2

 

Descent into Darkness: My European Nightmare

 

Offerings

 

Super Dark Times 

 

Dark

https://www.youtube.com/watch?v=zy0b9e40tK8

 

The Lodgers

 

Ghostwatch

 

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SuperPod: 2017 – A Year of Heroes

The cybernetically reconstructed Richard Drumm is joined by antiquities dealer Paul Farren to aim fire at Justice League and Thor: Ragnarock and look back on the year of Superhero and Comic Book Films, beat the living shit out of each other  mull over top Fives, and gaze into the future to see what’s in store for 2018.

Contains spoilers…

 

 

 

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Alan Maher, producer of ‘Song of Granite’

Gemma Creagh sat down with Alan Maher of Marcie Films to discuss the ins and outs of producing Pat Collins’ Song of Granite, the life story of traditional Sean-nós singer Joe Heaney, from County Galway.

 

 

Song of Granite is in cinemas from 8th December

 

 

 

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The Actors’ Room: Geraldine McAlinden

In this episode of The Actors’ Room, Lynn Larkin chats to Geraldine McAlinden. Originally from County Armagh, Geraldine trained originally as a solicitor and worked in the UK and Ireland.

She trained and worked part-time as an actor and director for theatre until 2012 when she left law to take up a place in the first one year Screen Acting programme run by the Factory now Bow Street Academy. During that time she trained with Kirsten Sheridan, Shimmy Marcus, Lance Daly and Maureen Hughes during the one year Screen Acting Programme in The Factory (now Bow Street) and with the Gaiety School of Acting and the Focus Theatre. She is a member of The Actor’s Studio in Bow Street.

 

Film credits include the features The Secret Scripture, The Truth Commissioner, How to be Happy, ANTON and Portrait of a Zombie (Winner of the 2013 Underground Film Festival’s Best Independent Feature award). Geraldine’s performance in Portrait of a Zombie led to her being long listed for an IFTA for Best Actress in a leading role in a feature film in 2013.

Geraldine’s TV acting credits include the IFTA winning Red Rock and Cumann na mBan 100 as well as Scup and RTE’s children’s show Spooky Stakeout.

Geraldine’s recent theatre credits include One Day by Dick Walsh, Remember to Breathe (Dublin Fringe 2015), Friendly Fire, Mary Stuart, Beyond Therapy!, Philidelphia Here I come!, and various characters in the longplay improv Spoonfed (Dublin Fringe 2005).

Geraldine’s directing credits include the plays Orphans, The New York Monologues and The Cripple of Inishmaan and the short film Helmets and Thorny Island.

Her writing credits include the tiny play Knowing (which was published and produced by  Fishamble’s Tiny Plays for Ireland) and the short films The Crack and Any Given Night (which she co-wrote).

Her film production credits include Enough (selected for screening at the 2015 Corona Fastnet Short Film Festival).

Geraldine is one of the two founding members of Alchemy 8 Productions whose production of Orphans was highlighted as one of the theatre highlights in Dublin for 2015. Geraldine can be seen soon in the new season of Striking Out   on Rte and in the upcoming feature films Zoo, Dark lies the island and Black 47.

Currently she can be seen playing Jennifer in the web-series Fix Me by Tom Moran.

Showreel

http://www.lbmactors.com/members/geraldine-mcalinden/

IMDB
http://www.imdb.com/name/nm2697506/?mode=desktop&ref_=m_ft_dsk

Fix Me web series

https://m.youtube.com/playlist?list=PLNMthVn48itG8lgGVMh4oBCo4xKgbWqKG

 

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Gerry Gregg, Director of ‘Condemned to Remember’

Tomi Reichental and Condemned to Remember director Gerry Gregg 

 

June Butler talks to director Gerry Gregg about his film Condemned to Remember in which Irish Holocaust Survivor Tomi Reichental celebrates his 80th birthday in a Dublin Mosque and embarks on an epic journey across a Europe in turmoil.

 

 

Condemned to Remember screened at the IFI and is currently screening in Dundrum and will screen at the Cork Film Festival  on Sun 12th at 6.45pm with a post-screening Q&A with Tomi Reichental and Gerry Gregg.

Eclipse Pictures are organising school screenings across the country. Contact siobhan@eclipsepictures.ie for further information.

www.condemnedtoremember.ie

 

 

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Linda Cullen: Co-Director of ‘The 34th’

In this podcast Sarah Cullen chats to Linda Cullen, co-director of The 34th (with Vanessa Gildea), which tells the story of the driven and dedicated people who formed Marriage Equality in Ireland, and developed it into a highly effective grassroots force with one clear goal in mind – the extension of Civil Marriage to same sex couples. Through revealing interviews and archive material, former board members and staff outline the strategising, fierce battles, sheer hard graft and personal cost of running such an all-consuming campaign.

​From the KAL (Katherine Zappone & Ann Louise Gilligan) case to a YES vote on 22nd May 2015, this documentary spans a decade culminating in the 34th amendment to the Irish constitution, allowing same sex marriage.

 

Recorded by Tommy Cullen

The 34th screens at the Light House Cinema on Wednesday, 18th October at 6.30

 

Film Ireland Podcasts

 

 

 

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Film Ireland Podcast: Episode 30 – Meat House

 

 

Sarah Cullen and Richard Drumm return to aurally go where no pod has gone before bringing both chit and chat to the latest Film Ireland Podcast.

In this episode our dastardly duo bring you news and gossip and enter the world of TV to ponder Game of Thrones and The Handmaid’s Tale.

Under the cinematic microscope is The 34th, an Irish doc that tells the story of the people who formed Marriage Equality in Ireland, the hirsute War for the Planet of the Apes, Nolan’s Dunkirk, the capered Logan Lucky, the punch a white man inducing Detroit, the bravely bleak Wind River, the fingerbanging Kingsman: The Golden Circle and ermmmm mother!

Hear ye! Hear ye!

 


 

 

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Stephen Burke, Writer/Director of ‘Maze’

 

Gemma Creagh talks to writer/director Stephen Burke about Maze, which tells the true story of the infamous 1983 prison breakout of 38 IRA prisoners from HMP, which was to become the biggest prison escape in Europe since World War II.

Film Ireland Podcasts

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Irish Film Review: Maze

 

Actor Barry Ward, ‘Maze’

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InConversation: Tony Cranstoun

 

In this episode of InConversation, Mark Sheridan talks to editor Tony Cranstoun, an award-winning editor who has cut drama, comedy and documentary for cinema and television. His work has received ‘Best Editing’ recognition from the British Academy of Film and Television Arts (BAFTA), The Royal Television Society (RTS) and the American Cinema Editors (A.C.E.). He is English by birth and resides in Ireland where he is married to filmmaker Emer Reynolds.
 

 
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Nick Kelly, Writer/Director of ‘The Drummer and the Keeper’

 

Paul Farren talks to Nick Kelly, whose film The Drummer and the Keeper is in cinemas now. In his film, the drummer of a rock band recently diagnosed with bipolar disorder strikes up an unusual friendship with an institutionalized teen who is suffering from Asperger’s syndrome.

All Film Ireland Podcasts

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Irish Film Review: The Drummer and the Keeper

 

 

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WFT Ireland Podcast: In Conversation with Director Aisling Walsh

 

Women In Film and Television Ireland recently presented In Conversation with director Aisling Walsh as part of their Masterclass series. They have given us kind permission to podcast the audio of the conversation, which has been edited. We also include WIFT Ireland’s own filming of the event.

Aisling Walsh’s Maudie is currently in Irish cinemas.

 

Video:

WFT Ireland: In Conversation with director Aisling Walsh (Part 1)

____________________________

 

WFT Ireland: In Conversation with director Aisling Walsh (Part 2)

 

Women in Film and Television Ireland is a voluntary body run by film and TV professionals of international standing, representing the creative, business and technical divisions of the Irish audiovisual sector. Women in Film and Television Ireland promote greater representation of women on screen and behind the camera. Our aim is to ensure that the Irish film and television industry functions as a meritocratic, sustainable and successful force into the future.

 

 

 

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