Film Ireland talks with Toner Quinn about his book ‘Count Me Out: Selected Writings of Filmmaker Bob Quinn’, a landmark collection of essays and articles spanning the 1960s to the 2020s by the iconoclastic Irish filmmaker, photographer and writer.
In this essay, activist and writer Sarah Shojaei takes a closer look at Nothing Compares, casting focus on the creative and brilliant Sinéad O’Connor, as well as on the constrictive conservative ideology that suffocated her message.
We at Film Ireland are deeply saddened to hear that Windmill Lane Post Production has closed its doors. This marks a devastating loss for the Irish film industry and the creative community at large.
Film Ireland is delighted to offer a number of pairs of tickets to an exclusive screening of Barry Keoghan’s highly anticipated film, Bring Them Down.
We take a look at some of the Irish films coming to screens in 2025.
We’ll update films, premieres, release dates and platforms and add reviews and interviews as they come in.
Earlier this month, we were delighted to host our Screen Sessions live event, made possible with the support of Screen Ireland and hosted by our wonderful friends at Griffith College.
Suspicious Minds is screening on RTÉ on 16th December. Ahead of the broadcast, friend of the film Emer Martin reflects on how this imaginative film explores the themes of migration, identity, and belonging with a uniquely Irish-American lens.
Faye Blaylock looks at how Irish musician Mark McCausland’s record store went from inspiring a newspaper column to being immortalised in feature film, ‘The Spin’.
As talented trio Kneecap make waves with their smash hit feature film, Will Penn examines the shifting sphere of identity politics in hip hop, and how Kneecap have changed the conversation for a whole generation.
A quarter of a century on, Peter Murphy gives his take on this classic era in cinema.