Gemma Creagh ticks every box in her review of ‘Verdigris’.
Gemma Creagh decodes the emperor’s new world in her review of ‘Megalopolis’.
Naemi Victoria takes centre stage in her review of Richard Linklater’s biographical musical ‘Blue Moon’, shot in Dublin.
Max Driver goes interstellar with his review of RTÉ animation ‘Holt’.
Brian Ó Tiomáin traces the timeline of Breege Rowley’s debut feature ‘All Our Yesterdays’.
Khushi Jain embraces the chaos of Four Mothers.
Aoife Fealy takes a grave look at Irish language horror ‘An Taibhse’.
Adam Matthew starts at The End.
Mutale Kampuni explores Siu-pong Wong’s Obedience.
Conor Bryce sinks his teeth into ‘Humanist Vampire Seeking Consenting Suicidal Person’.