Irish Film Review: Traders

| March 11, 2016 | Comments (1)

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DIR/WRI: Rachael Moriarty, Peter Murphy • PRO: Libby Durdy, Rachel Lysaght, Stuart Switzer • DOP: Peter Robertson • ED: Joe McElwaine, Alastair Reid • DES: Francis Taaffe • MUS: Carter Burwell • CAST: Killian Scott, John Bradley, Peter O’Meara

It’s tempting to call Traders an Irish Fight Club. And it wouldn’t be entirely wrong. But the truth is the stakes are much higher for the members of the trading world than they were for Fight Club’s. You weren’t allowed to talk about Fight Club. You’d be lucky to even get the chance to talk about trading.

And while Fight Club was about the emptiness and lack of fulfilment gained from rampant consumerism,Traders is about when the force behind that consumerism, rampant capitalism, goes wrong.

In the lead role is Love/Hate’s Killian Scott, playing Harry Fox. Supporting him as Vernon Stynes is Game of Thrones’ John Bradley. When their financial company goes bust after losing €13bn, the guys are out of jobs and anyone associated with their former company is considered toxically unemployable. Harry takes a job in data entry for nowhere near the money he needs to cover his mortgage repayments. Vernon, on the other hand, decides to start a business.

Vernon is full of stats, facts and figures including the depressing one that leads him to his new business idea. For every 1% the economy loses there’s a 0.8% increase in suicide.

After failing to get a web design company off the ground he comes up with the much darker idea of trading. Using the deep web, he creates a site where two Traders can connect. They agree to sell all their possessions and convert all money into cash. They then meet in a pub and from there head to a secluded spot where they dig a grave. Once that’s done, they fight to the death and whoever’s left breathing buries the other and goes home with all the cash. Vernon markets trading as better than killing yourself.

The story is tense and gripping and always keeps you guessing. You want to know what will happen in the end. Unfortunately, without spoiling anything, the film descends into farce towards the end. This got laughs from the audience at the Dublin premiere  but it wasn’t the best way to end things.

Bradley steals the show in his portrayal of Vernon. Most people know him from Game of Thrones where he plays the pleasant, honourable and ever-loyal Samwell Tarly. He is completely different in Traders. He is a weasel, a snake and bloody brilliant.

Killian Scott, along with starring in the lead role, also narrates. Narration is something that should only be in films if the makers are sure it adds something or that they can’t do without it. In Traders it adds nothing and they could have done without it.

Although it’s a serious film there are some funny parts and in particular, some fantastic one-liners. Another thing the writers and directors Rachel Moriarty and Peter Murphy did very well is pick the right locations. They reflect a depressing time in Irish history but look good and are great places for death fights. Traders go for fights in ghost estates, abandoned buildings and disused quarries. This is a film inspired by the crash and the desperation it caused, and is still causing, in some people even 8 years later.

All in all, Traders is a good film and one which could have broad appeal. Even though this is in English, I really wouldn’t be surprised to see an American remake within a few years.

Colm Quinn

16(See IFCO for details)
89 minutes

Traders is released 11th March 2016

Traders – Official Website

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Category: Cinema Reviews, Irish Film in Cinema, Irish Film Reviews, Reviews

Comments (1)

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  1. Fiona says:

    Just saw Traders. Gotta disagree that it falls into farce toward the end. I really enjoyed the whole buzz. Killian Scott just rocks but so do the whole supporting cast. David McSavage is funny by being so serious. There are some great love/hate actor performances notably Caoilfhionn Dunne and especially Peter O’Meara is brilliant as the gardener with a murky past who really brings home the impact toward the end. It’s the first of it’s kind for an Irish film.

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