June Butler sorts through Gillian Marsh’s intimate portrait of the life and work of Irish collage artist Sean Hillen, as he sets out to to declutter and make sense of his life.
Michael Lee’s entropy has been inverted.
Aoife O’Neill discovers a cover-up involving police entrapment in Trevor Birney’s documentary The Dakota Entrapment Tapes.
Seán Crosson takes a look at Pat Collins’ Henry Glassie: Field Work, a portrait of the American folklorist.
Aoife O’Neill spends time with a dysfunctional adult his smart-ass 10-year-old nephew in Dave Minogue’s Poster Boys, which screened at this year’s Galway Film Fleadh.
Aoife O’Ceallachain stays out of the water.
June Butler is at a crossroads.
Tom Crowley takes on The Invisible man.
June Butler paints a picture.
Tiernan Allen reviews Lucio Castro’s film.