Daniel Kiniry joins the Peloton and says “chapeau” to ‘The Racer’ from Directeur sportif Kieron J. Walsh.
Shauna Fox sees ghosts through Blind Windows.
Seán Crosson reviews Philip Doherty’s biblical black comedy about a prodigal son returning to his hometown to seek salvation for his sins.
Seán Crosson returns to mid nineteen century Ireland in Tomás Ó Súilleabháin ‘Arracht’.
Aoife O’Neill takes in a programme of live action shorts by students, as well as new and established directors at the Galway Film Fleadh 2020.
June Butler celebrates Daniel F. Holmes’ winning film.
Seán Crosson witnesses things crumbling in Peter Mackie Burns’ Rialto.
June Butler sorts through Gillian Marsh’s intimate portrait of the life and work of Irish collage artist Sean Hillen, as he sets out to to declutter and make sense of his life.
Michael Lee’s entropy has been inverted.
Aoife O’Neill discovers a cover-up involving police entrapment in Trevor Birney’s documentary The Dakota Entrapment Tapes.