Colin Farrell received a Golden Globe® nomination (Best Performance by an Actor in a Motion Picture – Musical or Comedy) for his performance in The Lobster.
Ruth Negga was also nominated (Best Performance by an Actress in a Motion Picture – Drama) for her performance in Jeff Nichols’s Loving, which is on its way into Irish cinemas 3rd Feb 2017.
John Carney’s Sing Street received a nomination for best comedy or musical film.
And Caitriona Balfe has been nominated for best actress in a TV series for the sci-fi drama Outlander.
Speaking on Colin Farrell’s nomination, Element Pictures producer Ed Guiney commented: “We are delighted that Colin’s brilliant performance in The Lobster has been recognised by the Hollywood Foreign Press Association, it’s so richly deserved.”
The Lobster grossed over €2 million in the UK/Irish box-office and took almost $10 million in the US.
The Lobster is directed by Yorgos Lanthimos and written by Lanthimos and Efthimis Filippo, produced by Ed Guiney, Lee Magiday, Ceci Dempsey and Yorgos Lanthimos. Executive Producers are Andrew Lowe, Tessa Ross and Sam Lavender. Alongside Colin Farrell, the film features Rachel Weisz, Lea Seydoux, John C Reilly, Ben , Olivia Colman and Michael Smiley.
Colin Farrell, Yorgos Lanthimos and Ed Guiney will re-unite for their next project The Killing of A Sacred Deer, which was shot in Cincinnati this Autumn. Nicole Kidman also stars as the wife of Farrell’s character.
The 74th annual Golden Globe® awards will take place on January 8th.
Best Motion Picture – Drama
Hell Or High Water
Manchester By The Sea
Best Performance by an Actor in a Motion Picture – Drama
Billy Bob Thornton
Best Director – Motion Picture:
Best Performance by an Actress in a Motion Picture – Musical or Comedy
Best Television Series – Drama
Game Of Thrones
This Is Us
Best Motion Picture – Musical or Comedy
20th Century Women
La La Land
Florence Foster Jenkins
Best Performance by an Actress in a Motion Picture – Drama
Best Performance by an Actor in a Motion Picture – Drama
Best Performance by an Actor in a Television Series – Musical or Comedy
Gael Garcia Bernal
Best Performance by an Actress In A Television Series – Drama
Evan Rachel Wood
Best Performance by an Actress in a Supporting Role in any Motion Picture
Best Performance by an Actor in a Motion Picture – Musical or Comedy
Best Original Song – Motion Picture
Cant Stop The Feeling, Trolls
City Of Stars, La La Land
How Far I’ll Go, Moana
Best Performance by an Actor in a Limited Series or Motion Picture Made for Television
Riz Ahmed, The Night Of
Bryan Cranston, All The Way
Tom Hiddleston, The Night Manager
John Turturro, The Night Of
Courtney B Vance, The People Vs OJ
Best Television Series – Musical or Comedy
Mozart In The Jungle
Best Original Score – Motion Picture
La La Land
Best Performance by an Actress in a Limited Series or Motion Picture Made for Television
Olivia Colman, The Night Manager
Lena Heady, Game Of Thrones
Thandie Newton, Westworld
Best Motion Picture – Animated
Kubo and the Two Strings
My Life As A Zucchini
Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Felicity Huffman, American Crime
Kerry Washington, Confirmation
Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Sterling K Brown
Best Motion Picture – Foreign Language
Best Performance by an Actress in a Television Series – Musical or Comedy
Sarah Jessica Parker
Best Limited Series
The Night Manager
The Night Of
The People V OJ Simpson
Best Original Screenplay
La La Land
Manchester By The Sea
Hell Or High Water
In this episode of the Film Ireland Podcast, Richard and Jonathan talk money and hats, including Marvel money, Irish film money and bigger caps, and discuss the launch of Women in Film and Television Ireland.
The podders take on Irish film tucking into The Lobster, saddling up for An Klondike, riff on myth for Pursuit and sail away to Brooklyn.
They also discuss Sicario, Stonewall, Dope, Hamlet and American Ultra.
Jonathan was set free from the basement for a short time to have a quick chat with Yorgos Lanthimos, director of The Lobster, while Richard remained chained up mulling over Daniel Craig’s potato head.
Upon his return to the basement, Jonathan hands out early Oscars as Richard snatches them back, feeding off their gold-plated britannium.
Yorgos Lanthimos’ The Lobster can be perceived to be any number of things – surreal comedy, dystopian sci-fi, romance, drama, prison thriller – and all these genres it may be, but these are just the surface stylings of a director who has given one of the sharpest relationship satires in recent years. It’s like an Owen Wilson rom-com, doused in David Lynch’s bitter coffee and peppered with British absurdist humour. The movie is silly and ridiculous, but at times can demonstrate subtle poignancy and moments of graphic violence. It’s a postmodern dark comedy, where the world has fallen under a sort of Tinder fascism. It’s as if the dating app got sponsored by Hugo Boss and started whistling Wagner, wingmen becoming spies, and mothers Gestapo. A world where being single is a crime and if your relationship is on the rocks, you’re sentenced to be a parent. This is the world that Lanthimos has created for us and it’s a riot.
It takes a while for The Lobster to break out of its shell because it’s so different from conventional relationship comedies; heck, it’s even off the wall for most offbeat comedies. You start to wonder if it is trying too hard, using its quirkiness as compensation for humour, but soon you succumb to Lanthimos’ charm and it’s hard to deny his sheer dedication to his vision. He goes all the way with it unapologetically and that in itself becomes admirable.
The Lobster stars Colin Farrell as David, the only character given a Christian name as the rest of the cast are merely named after their job role or physical attribute. The film is narrated by Rachel Weisz, who doesn’t actually appear in the story until well into the second act. David is a tubby shell of a man with a thick moustache that suits his introvert personality. His wife has left him for another man, and in the world of The Lobster this now disqualifies David from living in general society and he is relocated to a hotel outside the city.
At the hotel he has 45 days to find a partner or he will be downgraded to another species of his choice. He chooses a lobster, which is an excellent choice according to the Hotel Manager (Olivia Colman), who explains most singletons choose dogs, hence why dogs are so common. The hotel boasts an array of eccentric characters – Lisping Man (John C. Reilly), Limping Man (Ben Whishaw), Biscuit Woman (Ashley Jensen) and Heartless Woman (Angeliki Papoulia) – all of which add to the bizarre.
Their activities include swimming, dancing, seminars and hunting the Loners in the woods. The Loners are people, who refuse to conform to society’s relationship pressures. They are single fundamentalists, who are planning a revolt. Both the Loners in the forest and the guests/inmates of the hotel must abide to a strict set of rules. In the Loner tribe one must not kiss or they shall have their lips cut off. In fact they don’t allow any fraternising at all, only a healthy diet of techno music and masturbation. Reminds me of college… hell it reminds me of last weekend. The hotel on the other hand forbids masturbation, which the Lisping Man finds out in a sadistic way involving a toaster.
There’s also forms of torture carried out every morning for the male inmates. Torture by grind. The maids grind up against the men to the moment right before they make spectacles of themselves and then stop. This is obviously why so many find it difficult to get around rule no.1. There are scenes of disturbing violence involving toasters, suicides and nosebleeds that are more effective than some horror movies. The film’s surreal humour delivered in deadpan dialogue might go over some people’s heads, especially when blended with the moments of extreme violence. However, if you’re a fan of British absurd comedy such as Brass Eye or Look Around You, then you’ll feel right at home.
Although, it isn’t necessarily the abstract that gets the biggest laughs. The biting satire and attention to detail is what rates high on the LOL scale. The focus of a relationship built on lies marks the funniest moments in The Lobster. Like when the Limping Man, out of sheer desperation, smashes his face off hard objects so it appears he has more in common with the Nosebleed Woman (Jessica Barden). Or when David must pretend to be a despicable and cynical human being in order to match up with the Heartless Woman. The surreal and extreme circumstances reflect a certain breed of people in our society. It illustrates insecurity among us, who pretend to be someone we’re not in order to escape loneliness.
When David is caught for his deceptions he escapes the hotel and joins the Loners. This is where we finally meet our narrator, the Shortsighted Woman, who David becomes extremely fond of. During their routine drills, preparing for the revolt, Shortsighted Woman and David genuinely fall in love, naturally in a loveless community. They must reserve their feelings or they could face a worse fate than slashed lips. The Loner Leader (Lea Seydoux) is a French Resistance type commander, who keeps a close eye on the secret couple. David and Shortsighted woman disguise their emotions through a communication of complex sign language. They camouflage themselves against the damp bark of the forest trees, as more and more animals pass them by as if they were in the Garden of Eden.
The Loners sometimes take trips to the city. Actually, they’re more like secret missions as they go undercover as couples to blend in with society. These scenes are reminiscent of science fiction such as The Invasion of the Body Snatchers or Soylent Green. Between moments of outlandish humour, disturbing violence and Big Brother-style paranoia, The Lobster still finds time for occasional tenderness between David and Shortsighted Woman, as their battle against everyone makes their love enduring.
It is quite a miracle Lanthimos got this film to work. Not because of how leftfield it is, but because of the amount of international input that excels in it. A Greek director, British, Irish, American and Dutch producers, shot in Ireland and with a plateau of multinational actors. The question isn’t really how did a film like this get made, but rather how could a film like this be so funny.
Going into The Lobster, I was slightly pessimistic and, truth be told, it took some time for me to warm up to it. Not that I didn’t get it, but my confidence in Colin Farrell was shaky at best. In my experience, he can be hit or miss with comedy, unless he has a strong writer behind him. Admittedly, not knowing much anything about Yorgos Lanthimos only served to heighten my suspicions. But I fell victim to its charm, and although it demands a second viewing, The Lobster will remain one of the most interesting movies of the year and originally fresh comedy in years.
Kerry Film Festival has announced that it will host a parallel premiere screening of The Lobster on Thursday, 8th October in Killarney. The film will premiere in Dublin on the same night, but as the film was shot in Kerry, Kerry Film Festival has secured a rare parallel screening of the film for local audiences here.
Winning the Jury Award at the Cannes Film Festival this year, the film is the highly anticipated English language debut of internationally acclaimed Greek director Yorgos Lanthimos and is set for general release in Ireland on 16thOctober.
Starring Colin Farrell, Rachel Weisz, John C Reilly and Ben Whishaw, The Lobster was shot on location at Coilltes Dromore Woods and at the Parknasilla Resort, and because of the location it naturally had a great number of local crew involved.
Element Pictures Distribution today released the first trailer from their joint acquisition of Yorgos Lanthimos’ The Lobster, the English language debut of Greek director Yorgos Lanthimos.
The Lobster is a love story set in the near future, when single people, according to the rules of The City, are arrested and transferred to The Hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal of their choosing and released into The Woods. A desperate Man escapes from The Hotel to The Woods where The Loners live, and he falls in love, although it is against The Loner’s rules.
Starring Colin Farrell, Rachel Weisz, Léa Seydoux, John C Reilly, Ben Whishaw, Olivia Colman and Michael Smiley, The Lobster is a blackly funny love story set in a near future where finding love is a matter of life or death.
The Lobster is released on Irish cinemas from 16th October
A pair of professional but badly mismatched criminals break into a vacant house to carry out an insurance scam. Awkwardly thrown together with an hour to kill, they reluctantly start telling each other tall tales.
Set in the early 1950s, Brooklyn is the story of a young woman, Eilis (Saoirse Ronan) who moves from small town Ireland to Brooklyn, NY where, unlike home, she has the opportunity for work and for a future – and love, in the shape of Italian-American Tony (Emory Cohen). When a family tragedy brings her back to Ireland, she finds herself absorbed into her old community, but now with eligible Jim (Domhnall Gleeson) courting her. As she repeatedly postpones her return to America, Eilis finds herself confronting a terrible dilemma – a heart-breaking choice between two men and two countries.
Brooklyn is adapted from Colm Tóibín’s New York Times Bestseller by Nick Hornby and directed by John Crowley.
When 12-year-old Mickey Miller moves with her family from New York to Ireland, she soon discovers a mysterious link between herself and the 300-year-old legend of the mysterious Black Knight, who regularly haunts the sleepy Irish village of Longwood. With her new best friend in tow, Mickey sets out to redeem the knight while saving a precious herd of white horses and thwarting the evil plans of a greedy, ambitious woman – a mighty handful even for the bravest girl.
Conor Horgan’s documentary follows Rory O’Neill’s journey from the small Mayo town of Ballinrobe to striding the world stage. The film takes us behind the scenes with his alter ego Panti in the year she became the symbol of Ireland’s march towards marriage equality.
A struggling movie producer in search of an investor reluctantly follows the promise of money into Dublin’s drug underworld where she witnesses a botched murder attempt.
The Lobster (Yorgos Lanthimos)
The Lobsteris a love story set in the near future where single people, according to the rules of The City, are arrested and transferred to The Hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal of their choosing and released into The Woods. A desperate Man escapes from The Hotel to The Woods where The Loners live and falls in love, although it is against their rules.
Talking to my Father features two voices from two eras each concerned with how we as a nation understand the architecture that surrounds our lives. Modern architecture in Ireland reached a high point in the early sixties and one of its most celebrated and influential figures was Robin Walker.
Based on the bestselling novel “Ghosthunters and the Incredibly Revolting Ghost” by Cornelia Funke, Ghosthunters – On Icy Trails, which features Amy Huberman, follows a young boy Tom who discovers an ASG, an Averagely Spooky Ghost called Hugo in his cellar. He soon realizes that Hugo is not only completely harmless, but also desperately needs his help. Hugo cannot go back to his haunted house, because a dangerous AIG, an Ancient Ice Ghost, has moved in and is spreading an arctic cold over the entire town in the middle of summer. Tom and Hugo go to professional ghost-hunter Hetty Cuminseed, who doesn’t like children or ghosts very much, and who just lost her job at the CGI, the Central Ghosthunting Institute. Hetty teaches Tom and Hugo the basics of ghost-hunting and the three become an unusual team: only with friendship, courage and self-confidence can they overcome their adversary and save the town from the AIG.
Older Than Ireland features thirty men and women aged 100 years and over. Often funny and at times poignant, the film explores each centenarian’s journey, from their birth at the dawn of Irish independence to their life as a centenarian in modern day Ireland. Older Than Ireland ‘s observational style offers a rare insight into the personal lives of these remarkable individuals.
In the cut-throat London film industry a vivacious actress chasing her big break struggles to maintain her integrity in the face of the director’s advances
The GreatWall( Tadhg O’Sullivan)
This bold new documentary, an adaptation of a Kafka story, looks at the enclosure of Europe by a complex system of walls and fences. Mysterious and visually dazzling, the film journeys across a range of European landscapes, and encounters those whose lives are defined by these walls – detainees within European migrant camps. [IFI Programme Notes]
Tells the incredible story of Aidan MacCarthy, a young doctor from West Cork who survived some of the most harrowing episodes of World War II (including the atomic bombing of Nagasaki) and his family’s search to uncover the origin of the Japanese Samurai sword, which now resides in MacCarthy’s Bar in Castletownbere.
You’re Ugly Too (Mark Noonan)
Will (Aidan Gillen) is released from prison on compassionate leave to care for his niece Stacey after the death of her mother. As they both head into the sleepy Irish midlands and attempt to be a family, they suffer a series of setbacks; Stacey is refused admission to the local school because of her recently developed narcolepsy; Will repeatedly comes close to breaking his prison-ordered curfew; and his attempts at being a father figure to her prove disastrous…As their future hangs in the balance they must search for a new way forward together.
Tomm Moore’s Oscar-nominated animated feature tells the story of the last Seal Child’s journey home. After their mother’s disappearance, Ben and Saoirse are sent to live with Granny in the city. When they resolve to return to their home by the sea, their journey becomes a race against time as they are drawn into a world Ben knows only from his mother’s folktales. But this is no bedtime story; these fairy folk have been in our world far too long. It soon becomes clear to Ben that Saoirse is the key to their survival.
Rachel, a rookie cop, is about to begin her first nightshift in a neglected police station in a Scottish, backwater town. The kind of place where the tide has gone out and stranded a motley bunch of the aimless, the forgotten, the bitter-and-twisted who all think that, really, they deserve to be somewhere else. They all think they’re there by accident and that, with a little luck, life is going to get better. Wrong, on both counts. Six is about to arrive – and All Hell Will Break Loose!
The sequel to Boorman’s 1987 Academy Award®-nominated picture, Queen and Country takes place in 1952. Bill Rohan is eighteen years old, dreaming his life away at the family’s riverside home, waiting to be called up for two years’ conscription in the British Army. His idyll is shattered by the harsh realities of boot camp. He meets Percy, an amoral prankster; they are rivals and antagonists, but they gradually forge a deep friendship in the claustrophobic environment of a closed, prison-like training camp. The pressure is briefly relieved by excursions into the outside world, where they both fall in love. Finally, Bill is confronted with the shattered lives of wounded boys returning from Korea.
Fortune’s Wheel is a documentary feature film about Bill Stephens, an ordinary young man in 1950s Ireland with an extraordinary ambition: to become an international circus star. It is also a love story about Bill and his young and beautiful wife May, from East Wall. Their double act, Jungle Capers, Bill Stephens and Lovely Partner, was a series of death-defying feats with a troupe of lions and dogs designed to thrill audiences in the circus tent and on the stage. With this act they hoped to break free from the suffocating reality of Irish life, but things went terribly wrong when, in November 1951, one of their animals escaped.
The story gained national and international attention at the time, but it is only now – after 60 years of silence – that two families and a community have come together to tell the story in full.
Set in rural Ireland, The Canal stars Rupert Evans as David, a film archivist with a morbid fascination for old films in which the subjects have since died. Right after learning that his wife may be cheating on him, she mysteriously disappears at the same time that his assistant Claire finds an old reel of film that points to a murder that took place in his house a hundred years ago. David starts to suspect her disappearance may involve some form of the supernatural but he also quickly becomes the prime suspect.
A slacker comedy which chronicles a hectic 24 hours in the life of would-be comedian Coilin (Killian Scott) and frustrated musician Alex (Peter Coonan). When Alex’s girlfriend tells him she’s pregnant, he refuses to allow her to derail his long-held plan to escape to London. Meanwhile the hapless Coilin is striking out on stage and off, as he attempts to get his faltering comedy career off the ground and win the heart of his dream girl. With time ticking down to Alex’s departure, the mismatched pair will be forced to confront the reality of their childhood dreams of artistic greatness while their lifelong friendship is tested to the limit.
It’s the end of the world. A flood is coming. Luckily for Finny and his dad Dave, a couple of clumsy Nestrians, an Ark has been built and all animals are welcome… well almost all. Unfortunately for them, Nestrians are not on the list! But Dave has a plan, and Finny and he manage to sneak onto the Ark disguised as Grymps – much to the horror of real Grymps, Hazel and her daughter Leah.
However their troubles are just beginning as the two curious youngsters end up falling over board. Now Finny and Leah have to brave the elements in their quest to find higher ground while fighting off hungry predators and making unlikely friends. Meanwhile on board the Ark the parents must set aside their differences and hatch a plan to turn the boat around and make it back in time to rescue their kids.
In in a desperate bid to save his mother from addiction and unite his broken family, a young taxi driver on the fringes of the criminal underworld is forced to take a job which will see him pushed further into its underbelly. But will John be prepared to act when the time comes knowing that whatever he decides to do, his and his family’s lives will be changed forever.
I Used To Live Here follows Amy Keane, a 13-year-old trying to cope with the death of her mother and the reappearance of her father’s ex-girlfriend, who experiences the temptation of suicide after witnessing the outpouring of love for a local suicide victim. The film takes a fictional look at how the idea of suicide can spread in communities, particularly among young people.
A documentary that focuses on Irish humanitarian and children’s rights activist Christina Noble, whose unwavering commitment and selfless efforts have seen her change the lives of countless children and families for the better since 1989. Her drive stems from a childhood in Ireland fraught with poverty, loss and institutional abuse. However, despite achieving so much in the face of adversity and the success of her global children’s foundation, Christina remains scarred by the memory of the three children she was unable to save, namely her own brother and two sisters, from whom she was separated at a very young age. Hundreds of thousands have benefitted as a result of her courage, daring and steadfast dedication to protecting the vulnerable from the evils of the world, but is it possible for Christina to put her own family back together after being separated for fifty-three years?
Patrick’s Day (Terry McMahon)
A young man with mental health issues becomes intimate with a suicidal air hostess, but his obsessive mother enlists a dysfunctional cop to separate them.
Apples of the Golan (Keith Walsh & Jill Beardsworth)
The epic story of one village in the Israeli occupied Golan Heights. Before the Six Day War, Majdal Shams was one of 139 villages in the Golan Heights region. Only five remain. Over 130,000 Syrian Arabs were forced from their homes never to return. Amongst those who remain a stoic pragmatism prevails, Israel their home, Syria their homeland. Neither is paradise. They are too few to fight. The apples are the people’s bombs.
The Irish co-production The Lobster was awarded The Jury Prize at the closing ceremony of the 68th Cannes Film Festival.
Starring Colin Farrell, Rachel Weisz, Léa Seydoux, John C Reilly, Ben Whishaw, Olivia Colman and Michael Smiley, The Lobster is a blackly funny love story set in a near future where finding love is a matter of life or death. The film was directed by Yorgos Lanthimos.
The Lobster is set for release in Ireland on 16th October 2015..
The Lobster will have its world premiere at this year’s 68th Cannes Film Festival, screening in official competition. The Lobster is the English-language debut of internationally acclaimed Greek director Yorgos Lanthimos.
Starring Colin Farrell, Rachel Weisz, Lea Seydoux, John C Reilly, Ben Whishaw, Olivia Colman and Michael Smiley, The Lobster is a blackly funny love story set in a near future where finding love is a matter of life or death.
The film was shot at Parknasilla in Co Kerry in Spring 2014 and produced by Irish company Element Pictures who will also distribute in Ireland later this year.
The Lobster is written by Yorgos Lanthimos and Efthimis Filippou and produced by Ed Guiney, Lee Magiday, Ceci Dempsey and Yorgos Lanthimos. Executive Producers are Andrew Lowe, Tessa Ross and Sam Lavender. The film was developed by Element and Irish finance for the film came from the Irish Film Board.