Audio Interview: Jennifer Shortall and Lorna Fitzsimons, co-directors of ‘Poison Pen’ at the London Irish Film Festival

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Poison Pen recently screened at the London Irish Film Festival. Cormac O’Brien was there and had a chat to 2 of the film’s 3 directors, Jennifer Shortall and Lorna Fitzsimons.

 

 

 

You can read Cormac’s report from the festival here

 

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IFI Ireland on Sunday Interview: Lorna Fitzsimons, co-director of ‘Poison Pen’

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The comedy feature Poison Pen, the first screenplay from international best seller Eoin Colfer, will screen this Sunday at the IFI as part of its monthly showcase for new Irish film.

The film co-stars Lochlann O Mearáin as a washed-up author, who is coerced into writing for a gossip magazine, alongside Aoibhinn McGinnity as his new boss. Set in London but shot almost entirely in Dublin, Poison Pen is a smart and discerning romantic comedy about the nature of celebrity and integrity.

Poison Pen was directed by Lorna Fitzsimons, Jennifer Shortall and Steven Benedict, and made as part of the Masters in Digital Feature Film Production at Filmbase, which places an emphasis on practical filmmaking to prepare students for a future in film production.

“Anyone who’s made one can tell you what it’s like to make a feature film, but you only really learn when you do it yourself,” explains Lorna Fitzsimons, one of the co-directors and students on the course. “We did classes in everything: script writing, pre-production, casting, camera, sound recording, marketing, funding, etc. Directors, producers, writers, a really impressive list of industry experts came to see us, which was great preparation.”

As one of three directors, Lorna explains how they divided up Eoin Colfer’s script and how artistic continuity was retained. “Essentially we divided the script by locations or ‘worlds’. Steven (Benedict) took the old world, mainly based around Molloy’s apartment and his daughter Sally, I took his new world, mainly based around the magazine offices and London, and Jenny (Shortall) took the Celebrity world which, as you can imagine, was based in hotels, clubs and glamorous places.

“This division worked well, people act differently in different company and places. For example, Molloy is used to his writer’s block while he is at home, it’s comfortable, he owns it. When he gets to the Poison Pen offices, it’s different, he’s different. The influence of a different director is easily worked out this way. We spoke so much about character and story and motivation in preproduction that I don’t think anything was left to chance.”

In addition to the two lead actors, the film boasts an impressive support cast that includes Paul Ronan, Mary Murray, Susan Loughnane, Gemma-Leah Devereux, Aaron Heffernan and Lauryn Canny. Lorna discusses how they acquired the acting talent. “Our producers, Áine Coady and Sharon Cronin, did an amazing job of negotiating with agents and getting people in the room with us. Sometimes we did readings, sometimes we didn’t. I think that the guidance we got from Filmbase on casting was one of the best things about the course. There are no hard-and-fast rules, you have to meet actors and look for the characters; some people surprised us when we looked at the tapes and that was a learning curve, it’s all on the tape, not necessarily in the room.

“Having actors with experience on set is really important but there is such a fine balance, they need to want to be there and be challenged too.”

With over 30 locations and an extremely tight shooting schedule, managing time while getting good performances in the can was another balancing act. The film premiered at the Galway Film Fleadh in July which, with principal photography starting in April, gave the filmmakers a tight deadline to aim for.

“Getting to the finish was a challenge. All the little niggly bits that can take months, but because we had this deadline we had to get them done. This is where many people new to filmmaking get lost I think, in the soup that is completing the film”.

Lorna also puts an emphasis on preparation. “Directing on set was the highlight for me. It’s difficult to get practice doing that, so I tried to appreciate every moment. Preparation is necessary and really stands to you. I like being on set with my homework done, observing what it is everyone is doing, answering their questions and giving the actor the right words just when they are needed.”

After the rush to get the film finished for its premiere down in Galway, Lorna is looking forward to its screening at the IFI this weekend. “I feel like we were all a little shell shocked standing on the stage at the Fleadh. It’s been 6 weeks now, so this time I’m looking forward to watching the film with friends and family, seeing how they react.”

Poison Pen screens on Sunday, 31st August 2014 at 18.00 as part of the IFI’s Ireland on Sunday monthly showcase for new Irish film.

The cast and crew will participate in a post-screening Q&A.

Tickets for Poison Pen are available now from the IFI Box Office on 01 679 3477 or online at www.ifi.ie

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Poison Pen – Review of Irish Film at the Galway Film Fleadh


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Diarmaid Blehein gives us the juicy gossip on Poison Pen, the first feature film script by Artemis Fowl author Eoin Colfer. The film premiered at this year’s Galway Film Fleadh.

PC Molloy (Lochlann O’Mearain) is a Booker Prize-winning author who hasn’t published a book in fifteen years. He spends his days teaching classic poetry to uninterested college students and avoiding completion of his second novel. However, his circumstances change suddenly when his publisher is bought by the owners of a celebrity gossip magazine, Poison Pen, a genre of writing he openly despises. Much to his indignation, the magazine’s boss, the beautiful and ruthless April Devereaux (Aoibhinn McGinnity), hires him to interview celebrities for a column she hopes will add a touch of class to the scandalous rag. Facing legal action if he refuses, Molloy grudgingly takes on the job and sets about trying to get fired. But he soon finds himself becoming very involved on both sides of the game.

Eoin Colfer, famed author of the Artemis Fowl  book series, turns his hand to screenwriting and creates a quirky comedy that sucks us in to the grizzly world of magazine journalism, while at the same time entertains us immensely. It is very refreshing to see a film set in London which has an Irishman as the central character who doesn’t fall victim to any kind of stereotype. He is a man who just happens to be Irish.

O’ Mearain gives a delightful performance as the bookish, snobbish, tweed- wearing Molloy, whose cynicism of his new workplace and its members proves for some genuinely amusing moments. McGinnity is equally convincing as the ambitious, gossip-hungry boss, who gradually melts once Molloy starts to deliver the dirt. The film also features a strong supporting cast. Ryan O’ Shaughnessy is hilarious as one of Molloy’s loud-mouthed students whose ambition to be a famous rapper makes him stop at nothing to attract media attention including posing as his teacher’s gay partner. Lauryn Canny of Amber fame also holds her own as Molloy’s daughter, Sally, who aspires to be a model just like her deceased mother, much to her father’s dismay.

What’s most impressive about the film is its ability to be funny without resorting to awful crassness, which sadly seems to be what many contemporary comedies are doing in order to generate a laugh. The subject matter is strikingly relevant with the power and freedom of the British press being currently under scrutiny in light of the Leveson Inquiry. Indeed, despite the many laughs the film succeeds in conjuring, there is a deeper message trying to get through, particularly through the character of Shona, a famous singer with whom Molloy finds himself confiding in during an interview.

With Poison Pen, directors Jennifer Shortall, Lorna Fitzsimons and Steven Benedict have delivered a clever, quirky, thought-provoking film which succeeds in revealing the human side to the people we read about on a daily basis as well as that of those who set out to exploit them.

Click here for our coverage of Irish Film at the 26th Galway Film Fleadh  (8 – 13 July, 2014)

 

 

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