Michael Lee’s entropy has been inverted.
Aoife O’Neill discovers a cover-up involving police entrapment in Trevor Birney’s documentary The Dakota Entrapment Tapes.
Seán Crosson takes a look at Pat Collins’ Henry Glassie: Field Work, a portrait of the American folklorist.
Aoife O’Neill spends time with a dysfunctional adult his smart-ass 10-year-old nephew in Dave Minogue’s Poster Boys, which screened at this year’s Galway Film Fleadh.
Loretta Goff takes a walk to The Winter Lake to review director Phil Sheerin, writer David Turpin’s dark coming-of-age drama.
June Butler gets involved in a botched robbery and steals a review of Paddy Slattery’s ‘Broken Law’.
Orla Monaghan takes in a strong selection at Irish Talent: New Shorts Three: Fiction at Galway Film Fleadh 2020, featuring both new and established directors and writers using innovative narrative structures to explore how to solve age-old issues through unique coping strategies.
Orla Monaghan travels to Ireland’s most remote inhabited island in Loïc Jourdain’s The Tribe of Gods.
June Butler sees the wood for the trees at the Galway Film Fleadh shorts programme which focuses on facing the truth – for better or worse.
Irene Falvey checks in on Eoin C. Macken’s Here are the Young Men, a tale of toxic masculinity, adolescent love and paranoia that premiered at this year’s Galway Film Fleadh 2020.