Sarah Cullen reviews Christine Molloy and Joe Lawlor’s story of revenge centering on a young woman searching for her biological mother.
Seán Crosson reviews Philip Doherty’s biblical black comedy about a prodigal son returning to his hometown to seek salvation for his sins.
Aoife O’Neill takes in a programme of live action shorts by students, as well as new and established directors at the Galway Film Fleadh 2020.
Seán Crosson gets into the grooves of ‘Breaking Ice’, the story of the first Irish bobsleigh team to take part in the Olympics.
Seán Crosson witnesses things crumbling in Peter Mackie Burns’ Rialto.
June Butler sorts through Gillian Marsh’s intimate portrait of the life and work of Irish collage artist Sean Hillen, as he sets out to to declutter and make sense of his life.
Aoife O’Neill discovers a cover-up involving police entrapment in Trevor Birney’s documentary The Dakota Entrapment Tapes.
Seán Crosson takes a look at Pat Collins’ Henry Glassie: Field Work, a portrait of the American folklorist.
Aoife O’Neill spends time with a dysfunctional adult his smart-ass 10-year-old nephew in Dave Minogue’s Poster Boys, which screened at this year’s Galway Film Fleadh.
Orla Monaghan takes in a strong selection at Irish Talent: New Shorts Three: Fiction at Galway Film Fleadh 2020, featuring both new and established directors and writers using innovative narrative structures to explore how to solve age-old issues through unique coping strategies.