DIR: Olivier Megaton • WRI: Luc Besson, Robert Mark Kamen PRO: Luc Besson • DOP: Romain Lacourbas • ED: Camille Delamarre, Vincent Tabaillon • DES: Sébastien Inizan • Cast: Liam Neeson, Famke Janssen, Maggie Grace
Did anyone really want Taken 2?!
Back in 2008, when Liam Neeson loomed, intimidated and murder-killed his way through the heart of Paris to find his daughter, I left the theatre oddly impressed, assuredly thrilled and ultimately satisfied.
Daughter Kidnapped. Dad gets on the case. Albanian jerks soil themselves, die. Daughter rescued.
That’s Taken; a divisive if simple, singular tale.
So I’m lost as to why Team Besson deemed it prudent to grant the world further insight into the homicidal exploits of John Taken!* Regardless, affairs are in a sad state when 60 year old Liam Neeson, big though he is, gets lumped with this needless sequel, helmed by the man responsible for Transporter 3!
* This should have been his name from the start, folks!
Giving the performance of his life, Neeson/WolfPuncher enjoyed a legitimate career highlight with January’s The Grey. So we all know the man can act. Unfortunately he’s saddled with 90 straight minutes of buffoonish dialogue and a ridiculous American twang. Yes, he’s been naturalised as a US Citizen, but that Northern accent isn’t going anywhere in a hurry.
While Taken just about straddled the fine line between the plausible and the openly ridiculous, its sequel never quite knows which route to take, hedging every bet. For every instance of Neeson using his brain, doing something crafty, like estimating his location while blindfolded, listening for environmental markers, stuffing a miniature phone in his sock, we get Maggie Grace (who I have yet to be impressed with, in any role) detonating grenades in the streets of Budapest!
Themes of responsibility, consequence and justice are similarly muddied. The chief villain, an Albanian crime boss wronged by John Taken four years previously, decides to teach him a lesson about restraint by butchering him, his family and anyone else unfortunate enough to be in the camera’s frame.
There is no moralising here. There is no poignant lesson to be learned. Poorly choreographed, choppily edited violence begets poorly choreographed, choppily edited violence. And is resolved by same.
Whenever the cast aren’t spewing forth tired clichés and undercooked dialogue, Taken 2 slaps its audience in the face with some of the most poorly presented action this side of The Expendables 2. There is a (as in one!) car chase, a baton fight and a shoot-out. All of which should make you yearn for more talking.
And as for the practical joke of a final showdown, in which 6’ 4” John Taken kung-fus a short, pudgy Albanian rather than just, I don’t know, stepping on him?! Yikes. Neeson may be getting on in years, and he’s not exactly Jackie Chan, but this mismatch of sizes felt openly insulting to the hard-working lead.
Mercifully, Taken 2 isn’t a terribly lengthy endeavour. It has the manners to let you run for the exits inside of 90 minutes. And I say it’s fair we let poor Liam Neeson do the same. It’s hard to shake the impression he’s been bullied into this position, the aging action star, the badass granddad.
He made Taken 2. It was a disaster. Now, can we please let him go back to making more projects like The Grey now?
Neeson even admits, in this very feature, how he is ‘so tired of it all!’
Well, you and me both, Mr Taken!
Rated 12A (see IFCO website for details)
Taken 2 is released on 5th October 2012