Review of Irish Film @ DIFF 2019: Dub Daze

Dakota Heveron reviews Shane J. Collins’ take on modern Dublin in his comedy-drama feature, Dub Daze

Director Shane J. Collins has hit the ground running with his first feature length film Dub Daze, which premiered at the Virgin Media Dublin International Film Festival on Saturday. There couldn’t have been a better place for it, as it became clear right from the opening scenes that the film was an open and honest love letter to Dublin, written by one of the city’s own.

The film weaves together three discrete but connected narratives of young adults all trying to make a place for themselves in the city, each faced with their own particular obstacles. Dan (Ethan Dillon) and Baz (Sam Lucas Smith) are two friends looking for a way to celebrate their last day of school, but Baz’s recklessness ends up getting them in trouble with a local drug dealer named Petal (Clide Delaney). Sean (Shane Robinson) and Jack (Nigel Brennan) are medical students from Cork looking for a place to stay in Dublin. Sean is quickly accepted by a group of well-off Irish students who make Jack the butt of their ‘fresh off the tractor” jokes, causing Sean to question just where his loyalties lie. Fiona (Leah Moore) has dreams of making it as a musician, but she is forced to contend not only with Dublin’s cutthroat music scene, but also her father’s alcoholism.

It is to the film’s credit that despite the multiple plotlines and numerous characters scattered across its landscape, it manages to avoid becoming confusing or convoluted. The characters are so distinct and well-formed that we as the audience always know exactly who we’re with. This is due in large part to the film’s editing (done by Collins himself), as well as the incredible talent of its cast. There is nothing exaggerated or put-on in the actors’ deliveries; their performances are down to earth and strikingly realistic.

There are moments when the film itself feels like one long session, an unpredictable and turbulent night out in Dublin, punctuated by genuinely poignant moments that emphasize the incredibly three-dimensional emotions and realism of the characters. Scoring this night out is a well-chosen mix of songs largely featuring Irish musicians including Bantum, Majestic Bears, Indian, and This Side Up.

Also central to the film is of course Dublin itself. Dub Daze is clearly a labour of love, and Dublin is the focal point of its affection, the camera lingering just as lovingly on a graffitied wall as it does on the Samuel Beckett Bridge. The film makes a point to bring together its three narratives, connecting the city’s north, south, and center. There is a sense of intimacy in this connectedness, and in the consistent banter and comradery between its characters, painting the picture of a city where, despite its urbanity, ‘everyone knows each other’.

Deadly.

 

Dub Daze screened on Saturday, 23rd February as part of the Dublin International Film Festival (20th February – 3rd March 2019).

 

Shane J. Collins, Writer/Director of ‘Dub Daze’

 

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Shane J. Collins, Writer/Director of ‘Dub Daze’

Dub Daze is a comedy/drama set in the north, south, and centre of Dublin city. Get to know Dan and Baz, two friends looking for kicks on their last day of school; Cork medical students Jack and Seán who arrive in the capital to find their way amongst Ireland’s affluent youth; and songwriter Fi who struggles to break through on the cut-throat Dublin music scene.

Shane J. Collins talks to Film Ireland about his comedy-drama feature, “a passion project for all involved, a celebration of our love for Dublin City. I wanted to make a film that explores the different perspectives of Irish youth living in Ireland with classic themes of music, friendship and love re-examined to reflect an updated perspective of modern Dublin.

The film came about from my time in IADT. I had previously written a Northside Story. I met Leah Moore and wrote a Central story based on her. Mark O’Connor, one of my screenwriting tutors, gave me some advice that triple narratives usually work well so I thought I should really try write a Southside story and put them all together. Writing the story, I found passion and inspiration from some of Dublin’s best films, including Adam & Paul, Intermission, Kisses, The Commitments, and The Last Of The High Kings.”

Designed by street artists “Subset”

Self-financed on a shoestring budget, Shane is no stranger to taking on the various departments involved in making a film, “I had a good few jobs. I honestly think a massive challenge was doing the art department myself – that was a nightmare at times. But he insists that is not important “because when the film plays on the screen nobody cares who did all the jobs. They just care does this story work, is the acting good, am I engaged in this film – that’s the bottom line.”

The film’s soundtrack features a wealth of Irish musicians and it was important for Shane to get it right as “music plays a central role with a coming-of-age story, like Dazed & Confused, Fast Times at Ridgemont High, American Graffiti.” Musicians include Brame & Hamo, Bantum, Laurie Shaw, Majestic Bears, Makings, Noel O’Brien, Indian, Rhob Cunningham, Sammy Dozens and This Side Up, “who all gave their music so generously.”

The film features a cast of 44 new acting talent and Shane describes it as a showcase for new and upcoming Irish actors. “I was really lucky, I tapped into the acting community in Ireland and they really knocked it out of the park. We all banded together knowing what this film could potentially be for everyone.”

Talking about the film’s upcoming screening, Shane takes a deep breath. “It’s nearly 20 months since I started this. It’s taken a lot out of me physically and mentally. I think I’ve aged 10 years! But to find out that this film was getting to play is an amazing opportunity. Grainne Humphreys [Dublin International Film Festival Director] has been so kind to give us a great spot on Saturday to screen the film. It really means a lot going forward as I’m very passionate about the future of Irish film and I really want to be able to showcase so much new talent.”

 

Dub Daze screens on Saturday, 23rd February at 2pm at Cineworld as part of the Dublin International Film Festival 2019 (20 February – 3 March 2019).

Buy tickets at www.diff.ie

 

 

Preview of Irish Films @ Dublin International Film Festival 2019

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