Programme Announced for the 13th Annual IFI & Kinopolis Polish Film Festival

The IFI & Kinopolis Polish Film Festival returns for its 13th season from December 6th to 9th with a programme of films from one of Europe’s strongest and most prolific national cinemas. The festival kicks off with a screening of warm comedy A Cat With A Dog from director Janusz Kondratiuk, which will be followed by a Q&A with actor Olgierd Łukaszewicz. The festival also welcomes acclaimed director Małgorzata Szumowska to present her latest film, Mug, on Saturday 8th.

As always, the festival includes a wide range of genres from black comedy and domestic drama, to short-form animation, period drama, and classic science fiction. The festival serves as a snapshot of the national industry over the past year, with selected titles coming from both debut filmmakers and established masters. The admirably egalitarian nature of the Polish filmmaking community ensures that women are well represented behind the camera, whether as first-time directors, such as Olga Chajdas, or as an internationally acclaimed director with a significant body of work, such as Małgorzata Szumowska.

Commenting on the programme, IFI Cinema Programmer Kevin Coyne said, ‘This presentation of new Polish titles is an important event in the IFI’s calendar, and we’re delighted to be joining withKinopolis once again in offering Irish and Polish audiences the opportunity to enjoy some of the most distinctive films to emerge in the last year from this distinctive national cinema.’

Festival opener A Cat With A Dog features Robert Więckiewicz and festival guest Olgierd Łukaszewicz as estranged brothers Janusz and Andrzej. When Andrzej suffers a debilitating stroke, Janusz’s wife Beata, aware that she has never met her brother-in-law, encourages her husband to reconnect with his sibling. This warm-hearted and moving comedy is based on Janusz Kondratiuk’s own experiences, and benefits from excellent performances by its four main actors.

In Paweł Maślona’s blackly comic Panic Attack, characters endure a variety of anxiety-inducing situations, from a couple seated beside the passenger from hell on a bumpy plane ride, to the woman suffering a painful meeting with her ex. As the tension in each situation ratches up, Maślona proves expert at finding the humour therein, making for a film that will provoke laughter from viewers even as they watch through their fingers.

Olga Chajdas’s debut feature Nina is a story of love and identity. Unable to bear children, Nina and her husband are searching for a surrogate, when they cross paths with Magda, an openly gay woman who Nina feels is the perfect candidate. As Nina discovers her attraction to Magda and the two begin a meaningful affair, her marriage begins to disintegrate as she seeks to define herself in light of these new and unexpected developments.

Krzysztof Zanussi’s Ether centres on a mannered yet sinister doctor who accidentally murders a beautiful young patient he had planned to sexually assault after rendering her unconscious with the titular drug. Fleeing the scene, he takes a post as a military medic in a remote outpost where he persuades his commanding officer to allow him to begin experiments that he believes will increase soldiers’ stamina and endurance.

IFI & Kinopolis are delighted that Małgorzata Szumowska, one of the most significant contemporary Polish directors and director of new film Mug, will visit the festival on Saturday 8th. In Mug, well-liked heavy metal fan Jacek undergoes Poland’s first face transplant following an accident. After the operation, the attitudes of his neighbours, his girlfriend, and even his family change, making him an outsider in his own home. Szumowska’s approach balances playfulness with more barbed comments on contemporary Polish society in this dark satire.

Polish science-fiction cinema suffered a great loss in August of this year with the passing of one of its foremost exponents, Piotr Szulkin. The festival pays tribute with a rare and timely screening ofThe War of the Worlds: Next Century, a reworking of H.G. Wells’s classic novel. The film begins with Martian visitors being warmly welcomed by authorities, who use the media, and television in particular, to encourage the human populace in pursuing this benevolent relationship. However, this proves mere camouflage for the imposition upon the people of an increasingly authoritarian regime.

This year’s closing film, Julius, stars Wojciech Mecwaldowski as a serious teacher, forever at odds with his incorrigible artist father. Ignored by his students and unlucky in love, Juliusz falls into a relationship with a carefree veterinarian until events begin to conspire against him. Featuring cameos from such familiar Polish faces as Jerzy Skolimowski, Maciej Stuhr, and Andrzej Chyra, this quirky and frequently very funny film is arguably the year’s best and most original Polish comedy.

Finally, the always popular animated shorts programme also returns this year in its regular Sunday lunchtime slot. This year’s diverse selection includes films about the effects of the media on women, a portrayal of the meat industry, and the horrors of World War II. Eight of the nine short films that make up the programme this year are directed by women.

For more information about the festival and to buy tickets, visit Individual festival tickets cost €11 and a festival multi-pass, four festival films for €38, is available in person or by phone from the IFI Box Office on 01-6793477.






FRIDAY 7TH (20.30): NINA


SATURDAY 8TH (18.00): MUG + Q&A





Kinopolis Polish Film Festival

The IFI and Kinopolis Polish Film Festival returns for its 11th season from December 8th to 11th. Director Tomasz Wasilewski’s United States of Love will open the festival, and it will close with a screening of Jan P. Matuszyński’s The Last Family, with actress Aleksandra Konieczna in attendance.

At the launch of the programme, IFI Cinema Programmer Kevin Coyne commented, ‘The ongoing collaboration between the IFI and Kinopolis has become a highlight of our calendar. Ranging from debut features to a master’s final film, this year’s programme reflects the continuing strength of work emerging from Poland, and its position as one of Europe’s strongest national cinemas. We look forward to welcoming both Irish and Polish audiences to the IFI for this year’s festival.’

Set in 1990 amidst the fall of the Iron Curtain, Tomasz Wasilewski’s United States of Lovecentres on four women struggling to deal with their tangled romantic relationships. This beautifully shot film, winner of the Silver Bear Best Screenplay prize at this year’s Berlin Film Festival, is visually striking and superbly performed by its leads.

Kamper, directed by Łukasz Grzegorzek, is a bittersweet comedy about a young married couple that tackles the uncomfortable truths about intimate relationships. Thirty-something hipster Kamper (Piotr Żurawski) is happily married to the beautiful Mania (Marta Nieradkiewicz). However, his refusal to grow up has put distance between him and his wife, to the extent that they both embark on affairs, her with an alpha-male television host, him with a Spanish teacher.

Afterimage is Poland’s submission for the 2017 Best Foreign Language Film Oscar and the final film by the great Andrzej Wajda. The film is a portrait of the final years of noted avant-garde artist Władysław Strzemiński (played by Bogusław Linda) who battled Stalinist orthodoxy and his own physical impairments to advance his progressive ideas about art. Afterimage is a fitting end to the career of a fearless filmmaker.

Atmospheric retro-thriller The Red Spider takes its inspiration from the urban legend of Lucjan Staniak, a serial killer nicknamed ‘Red Spider’. Director Marcin Koszałka’s debut feature begins with teenager Karol Kremer (Filip Pławiak) stumbling across the body of a child and spotting a stranger leaving the fairground, who he rightfully suspects to be the murderer. Kremer then begins methodically stalking him. Opaque and ambiguous, The Red Spider is a film that will linger long in the memory.

Upon its release, Planet Single banked the third biggest opening by a Polish film in the last 20 years. The movie stars Maciej Stuhr as Tomek, one of the top celebrities in the country and the host of an extremely popular and controversial talk-show. He meets Ania (Agnieszka Więdłocha), a teacher at a musical school, a hopeless romantic looking for Mr. Perfect on an internet dating site. Already the country’s biggest box office hit of 2016 so far, it made Poland the only country where Deadpool did not open at number one!

The animated shorts programme, a consistently popular slot in Kinopolis, also returns this year. This year’s diverse selection includes a poetic journey through the Polish seasons, a father going about his daily routine in an empty nest, an elderly woman who focuses on her knitting while her husband works on a strange invention, and a couple of astronauts stranded on a space station while nuclear war breaks out on Earth.

Closing the festival this year is The Last Family, a study of the dysfunctional family life of surrealist artist Zdzisław Beksiński (1929-2005), whose work is often compared to that of H.R. Giger. Lead actress Aleksandra Konieczna will attend the screening and participate in a Q&A.