From the sunny French Riviera, our Cannes critic and correspondent Shannon Cotter braves the darkness to give you her take on Amélie Bonnin’s debut film ‘Partir un Jour’ (‘Leave One Day’)
We are delighted to be partnering with Dublin International Film Festival (DIFF) once again and working with the Silver Screen Critics as they comment on this year’s programme. In this article, the critics give their thoughts on ‘Reifenstahl’.
We are delighted to be partnering with Dublin International Film Festival (DIFF) once again and working with the Silver Screen Critics as they comment on this year’s programme. In this article, the critics give their thoughts on ‘Peacock’.
Matthew Briody gets on board with his review of ‘Never Stop the Action’
We are delighted to be partnering with Dublin International Film Festival (DIFF) once again and working with the Silver Screen Critics as they comment on this year’s programme. Here Lorna Cady gives her thoughts on Silent Trees.
Will Penn strikes a chord with Sarah Share’s music documentary ‘The Graceless Age: The Ballad of John Murry’.
We are delighted to be partnering with Dublin International Film Festival (DIFF) once again and working with the Silver Screen Critics as they comment on this year’s programme. In this article, the critics give their thoughts on ‘Eight Postcards from Utopia’.
Conor Bryce joyfully sinks his teeth into this review of ‘Sinners’.
Steven Benedict lays the foundations in his review of ‘E.1027 — Eileen Gray and The House by the Sea’.
Sean Dooley takes to the pulpit for his review of ‘Sins of Ireland’.