Irish Film Review: Dark Lies the Island

DIR: Ian Fitzgibbon • WRI: Kevin Barry • DOP: Cathal Watters • ED: Stephen O’Connell • DES: Jeff Sherriff • PRO: Michael Garland • MUS: Stephen Rennicks • CAST: Peter Coonan, Moe Dunford, Charlie Murphy, Pat Shortt, Jana Moheiden

Dark Lies the Island is about a doomed love-rectangle in a small Irish town. Daddy Mannion (Pat Shortt) has the run of the place in Dromord. Every other business in town is a Mannion enterprise. But as his two sons (Moe Dunford and Peter Coonan) become jealous of his money and young wife Sara (Charlie Murphy), can the Mannions escape with their dignity intact? Inspired by characters from Kevin Barry’s short-story collection by the same name, Dark Lies the Island is a film about desperation and loneliness in a town that has a hold over all the characters.

Daddy Mannion may be the success of the town, but his personal life leaves much to be desired. His wife Sara, twenty years his junior, is bored sick at home with an atypical teenage daughter, played brilliantly by Jana Moheiden. Sara will do anything to punish Daddy for keeping her trapped in Dromord. To make matters worse, Daddy has two grown sons from his first marriage: failed businessman, Martin (Moe Dunford) and a recluse who runs shady businesses from his shack in the woods, Doggie (Peter Coonan). 

Most of the characters are desperate to get out of Dromord but do nothing to leave. Circumstances like debt, marriage, family business or agoraphobia keep people there, drive people to madness, and send them to the bottom of the lake. The irony of Doggie’s situation is highlighted when he says “I can leave whenever I want” but hasn’t set foot outside his shack in years. The feeling of being trapped is emphasised by cinematographer Cathal Watters, as he frames the characters in lots of close-ups, contrasting the expansive scenery outside. 

Something magical hangs over the film, as though Dromord has abstained from the rules of reality. The whole 90-minutes you’re waiting for the worst to happen to the Mannions, but you feel like absolutely anything could happen. The score by Stephen Rennicks (Room, Frank) enhances the mood – dark and playful at the same time, balancing light and dark.

I really wanted to like it more than I did. I’m a big Kevin Barry fan, so I was interested in seeing how Fitzgibbon would manage it. Barry has such a distinctive style that sadly didn’t translate to the screen. The magic of Kevin Barry is he puts you in someone’s head and makes you believe you’re there. But in the film, the focus shifts between so many different characters that it feels like a diluted version of his work. Barry perfectly balances humour and darkness in his short stories, and I’m not sure anyone can do him justice. 

With solid performances and gorgeous cinematography, it’s a shame the film doesn’t live up to the book. Barry’s tone is a hard one to pin down so I think audiences might have a hard time knowing how to feel. 

Aoife O’Ceallachain

87′ 

Dark Lies the Island  is released 18th October 2019

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Review of Irish Film @ DIFF 2019: Dark Lies the Island

Stephen Porzio takes on the Mannions in Dark Lies the Island.

Martin and John Michael McDonagh better watch out. Another Irish literary figure has made the jump to the silver screen, bringing something fresh to the country’s trademark dark comedies.

Dark Lies the Island sees author Kevin Barry (City of Bohane, Beatlebone) team up with Irish directing old pro Ian Fitzgibbon (Moone Boy, Perrier’s Bounty) for a pitch-black comedy drama based on characters which appeared in various of the writer’s short stories. Charlie Murphy’s Sarah narrates. She is a bored, checked-out housewife to the much older and rich Daddy Mannion (Pat Shortt). Through a chain of businesses, he pretty much runs the sleepy town of Dromord in which the action takes place.

Daddy has two kids from his first marriage. There’s Martin (Moe Dunford), a weak womaniser filling the Fredo role and Doggy (Peter Coonan), someone who went from having a bright future to being an agoraphobe running a dating service from a caravan in the woods. Throughout the drama, these characters – along with Tommy Tiernan’s mysterious newcomer to Drumord and a pair of cousins in debt to Doggy – all converge in a climax where past histories and repressed trauma come to light.

At first, Dark Lies the Island feels like another Perrier’s Bounty, an enjoyable if forgettable sub-Tarantino comedy noir given an Irish flavour. After all, the ingredients for such are in place – pulpy narration, a seemingly scary psychopath in Doggy, eccentric locals.

Yet, as the movie continues and the plot gets increasingly bizarre and dark, one realises that Barry is doing something truly different. He is taking fantastical, heightened tropes that film fans like but is using them to explore contemporary themes like mental health and how patterns of emotional abuse develop within families.

Shot dreamily by terrific cinematographer Cathal Watters, the fictional town of Dromord (its palindromic spelling reflective of its purgatorial nature) is not meant to be interpreted as a real place. Neighbouring a lake – in which we often see ominous fog rolling alongside – it’s symbolic of Doggy, Martin and Sarah’s mental state. These are people living under the dark cloud of the sinister tyrannical Daddy, a nasty weak man who gets his kicks making others feel small.

While these characters all seemed like clichés at the beginning of the film, Barry’s script thoughtfully, as it continues, explores why these people have taken to these almost assigned roles, touching, at the same time, upon sins of Ireland’s past. While the climactic event is somewhat inevitable and all the characters outside the Mannion’s immediate circle feel slightly extraneous, it’s to Barry’s credit that by the end of Dark Lies the Island, the movie feels far less Grindhouse than it does Gothic. This reviewer wouldn’t be surprised if the writer eventually makes the transition to director.

 

Dark Lies the Island screened on Wednesday, 27th February as part of the Dublin International Film Festival (20th February – 3rd March 2019).

 

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Trailer: Dark Lies the Island

Written by Irish author Kevin Barry and based around characters he created for his own short story collection, Ian Fitzgibbon’s (Death of a Superhero) pitch-black comedy centres on a small Irish town over a week-long period.

If you’re going get involved with men in a small Irish town, they might as well be the Mannions – and Sara is involved up to her neck. The Mannions are a feuding family in the town of Dromord who are all set at each other. Sara is married to Daddy Mannion but holding a candle for her first love, his son Doggy. When she also gets involved with his brother, trouble looms.

An impressive Irish cast including Peter Coonan, Charlie Murphy, Pat Shortt and Moe Dunford flesh out this unique, dark, comedy which offers on-the-nose observations about Irish life.

 

 

 

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