David Prendeville delves into James Clarke’s book on the rise and rise of Pixar Animation Studio.
Ciara O’Brien on Murray Pomerance’s book that focuses on the cultural critique inherent to Hitchcock’s work, while aso managing to provide great insight into the man himself.
Stephen McNeice takes a look at ‘The Filmmaker’s Handbook – A Comprehensive Guide for the Digital Age’
Providing an insight into how Dublin has both shaped and been shaped by filmmakers, World Film Locations:Dublin is an engaging journey through Dublin and its representation on screen.
Nicola Marzano reviews George Englund’s captivating, crafty and insightful account of the life of a screen legend.
Martin Cusack reviews Aubrey Malone’s daringly ambitious and panoramic overview of the history of film censorship.
Ciara O’Brien recommends Pierre Assouline’s stunning biography ‘Hergé: The Man Who Created Tintin’ – a must for all comic fans.
Nicola Marzano finds a lot to admire in Marja Warehime’s accomplished study of the life and career of the anti-conformist director.
Tom Ryall’s indispensable study of Anthony Asquith’s career, which seemed to run in a sort of strange, reverse parallel with the development of film form itself.
John Hill explores the crossing of the boundaries between Loach, the television director, and Loach, the film director.