In this Film Ireland review from the archives, and as Mrs Robinson is about to hit the big screen, Stephen Porzio looks back on Aoife Kelleher’s ‘Strange Occurrences in a Small Irish Village’.

DIR: Aoife Kelleher • WRI: Rachel Lysaght 

It’s been a very good year for Irish documentaries. 2016 has already given us Atlantic – an eye-opening account of corruption within the fishing industry, Mom & Me – a touching ode to mother-son relationships and 66 Days – a film detailing Bobby Sands’ hunger strike. Adding to this impressive list is director Aoife Kelleher’s new movie Strange Occurrences in a Small Irish Village. Taking its title from headline in a British newspaper, the documentary examines the reported sightings of the Virgin Mary in Knock in 1879 and the effect they still have upon the community.

It’s an impressive work in the sense that it tackles very weighty and complex issues such as faith, the commercialisation of religion, the child-sex abuse scandals, abortion and homophobia while still retaining a certain lightness. The various talking heads within the documentary (all of different opinion in regards to religion) are for the most part engaging and warm presences. On top of this, Kelleher adds a gentle humour to the film, allowing it to breathe, while never sacrificing its serious exploration of issues. As a result, Strange Occurrences is a documentary which feels light while never making light of its subject matter.

The documentary’s complete lack of archival footage is to be commended. Every scene from the spectacle that is a New York St. Patrick’s Day parade to the gorgeous aerial drone footage of Knock has been shot specifically for the film. This not only creates a sense of authenticity, but also gives Strange Occurrences a cinematic touch that not many documentaries have, making it a pleasure to watch.

Kelleher has stated that the documentary is not pro or anti-Catholicism. Instead, its goal was to portray a community completely reliant upon a religion, both morally and financially, accurately. She accomplished her task with gusto creating one of the most engrossing documentaries of the year thus far.

Stephen Porzio

Strange Occurrences in a Small Irish Village was released 26th August 2016

Author

Gemma Creagh is a writer, filmmaker and journalist. In 2014 she graduated with a First from NUIG’s MA Writing programme. Gemma’s play Spoiling Sunset was staged in Galway as part of the Jerome Hynes One Act Play series in 2014. Gemma was one of eight playwrights selected for AboutFACE’s 2021 Transatlantic Tales and is presently developing a play with the Axis Theatre and with the support of the Arts Council. She has been commissioned to submit a play by Voyeur Theatre to potentially be performed in Summer 2023 as part of the local arts festival. Gemma was the writer and co-producer of the five-part comedy Rental Boys for RTÉ’s Storyland. She has gone on to write, direct and produce shorts which screened at festivals around the world. She was commissioned to direct the short film, After You, by Filmbase and TBCT. Gemma has penned articles for magazines, industry websites and national newspapers, she’s the assistant editor for Film Ireland and she contributes reviews to RTE Radio One’s Arena on occasion.

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