Aoife O’Ceallachain went along to the Irish Shorts 4: Finding Their Place to find some great filmmakers and films with characters seeking acceptance, vindication, assurance or literally accommodation.
On the afternoon of Thursday the 14th of November, I went along to the fourth instalment of Irish Shorts at the Gate Cinema. Under the title ‘Finding Their Place’, this collection of films showcases characters dealing with homelessness, feeling trapped and trying to find their purpose. The programme proved to be a showcase for some great emerging talent and I left the cinema excited about all the work these filmmakers are going to make in the future. For anyone looking to get involved in the film industry, going to shorts is a great place to start. You get a sense of the other work out there and you’ll start to see the same names come up again and again. It really opened my eyes to the talent we have, and the talent we as a nation have to nourish. With that said, I want to draw attention to a few shorts that caught my eye.
Sinead O’Shea / Ireland / 2019 / 4 mins
Humblebrag had the biggest audible reaction. Directed by Sinead O’Shea (A Mother Brings her Son to Be Shot) we see a man and woman sit down on a sofa, where he shows her a montage he’s made of their relationship. It starts off normal enough, showing clips of her at gigs, on dates, at Electric Picnic and at the funfair. But the content starts to get darker, more annoyed, past the phase of pretence. Have to say it was too graphic for me at 6 o’clock on a Thursday – I just wasn’t expecting to see POV porn. But I guess the unexpected is part of the fun. At only 4 minutes it certainly packs a punch, best saved for after the watershed.
Olivia J Middleton / UK, Ireland / 2019 / 18 mins
Winner of Best Cork Film, Olivia J. Middleton’s Rosalyn is a psychological horror about a farmer who is expecting a child. As the delivery date looms, Rosalyn starts to see a disturbing figure coming out of the woods; animals become scared of her. Is Rosalyn imagining all this or are malevolent forces at play? Tackling themes of isolation, mental health during pregnancy and the expectations of motherhood, the film manages to teeter between delusion and reality. With influences of Jennifer Kent’s Babadook, Middleton’s haunting film leaves a lot to the imagination and inspired great discussion after the credits.
Katie McNeice / Ireland / 2019 / 17 mins
Directed, written, produced and edited by Katie McNeice, In Orbit is a sci-fi short set in the 2050s. Maura, a retired optician is asked to describe the best experience of her life for the Human Experience Records. Maura recalls how she had never had a relationship, and how it altered the way she viewed the world. But that all changed in her forties, when she met Amy. Ultimately, In Orbit is about taking chances and opening your heart to new experiences, no matter how scared you are. Maura’s memories of the marriage equality referendum capture the gravity of the moment as a change for Ireland, further reflected in the futuristic technology of the 2050s. Composer Emer Kinsella brings great atmosphere to the film and elevates it to another level. I personally can’t wait to see what McNeice brings out next.