Though several of Carl Theodor Dreyer’s films such as The Passion of Joan of Arc, Ordet and Vampyr remain reliably famous, a lack of cinematic exhibition has hampered a greater appreciation of his wider body of work. This April the IFI is undertaking a major retrospective of the Danish director’s films giving Irish audiences a unique opportunity to savour the diverse delights of one of cinema’s acknowledged masters.

The season includes the three masterpieces of the latter part of Dreyer’s career which spanned from deep into the silent era right through to the 1960s. There is a full week’s re-release of Ordet (The Word), perhaps the greatest triumph of Dreyer’s career, which wittily explores pride, prejudice and pretensions during one Jutland family’s crisis of faith and values.  Dreyer’s Day of Wrath is the moving tale of illicit passion during the 17th century witch trials in Denmark while his last film Gertrud is the coolly stylised study of a proud and passionate married woman loved, but not nearly enough she insists, by four different men. 

The astonishing performance of Maria Falconetti and its daringly innovative presentation by Dreyer in The Passion of Joan of Arc form a true masterpiece – a silent study of suffering, supplication and solitude, featuring what Tom Milne memorably called ‘virtually a symphony of faces’. Based on the records of Joan’s trial but concentrating on the final day of her life, it’s a film that is at once highly experimental but utterly accessible.

Vampyr brought Dreyer’s experimental leanings to a head with spectacular results. The camerawork, editing and narrative all combine to deliver a profoundly unsettling experience to the viewer. This nightmarishly strange film will be screened in April and once again on May 18th when it will be accompanied by an original live score from Steven Severin (solo artist and founding member of Siouxsie and the Banshees).

Even those lucky enough to have seen either the aforementioned silent classics or the three extraordinary late-talkie masterpieces haven’t seen the full picture as his most widely screened films give him an unjustified reputation as a demanding and overly serious director. From the pre-talkie era, a richer and different picture emerges with a wealth of romances (Once Upon a Time, Michael, The Bride of Glomdal), comedies (The Parson’s Widow, Master of the House) and literary adaptations (Love One Another) showcasing the innovative simplicity of his approach, the growing influence of Expressionism on his work and a commitment to the subtlety of emotional nuances.


The Passion of Carl Dreyer Season – Schedule

Ordet                                                                        Re-released from April 13th – April 19th


Carl Th. Dreyer, My Métier                             April 1st                 16.50

by Torben Skjødt Jensen

The Parson’s Widow                                          April 2nd                19.10

Love One Another                                              April 3rd                19.00

Once Upon a Time                                              April 4th                 18.50

Michael                                                                   April 8th                 14.20

Master of the House                                          April 14th              18.40

with live musical accompaniment

The Bride of Glomdal                                         April 16th              19.00

Vampyr                                                                   April 17th              19.00

Dreyer Talk with the IFI’s Pete Walsh         April 18th 14.30

Day of Wrath                                                         April 18th              18.50

The Passion of Joan of Arc                              April 22nd              18.15

with live musical accompaniment

Gertrud                                                                    April 29th              16.20


There will be a second screening of Vampyr with a live performance from Steven Severin (solo artist and founding member of Siouxsie and the Banshees) of his new score for the film on May 18th


Tickets are available at the IFI Box Office on 01 679 3477 or online at


Write A Comment