In this podcast, Paul Farren & Wayne Byrne discuss Sam Peckinpah’s masterpiece The Wild Bunch, which celebrated its 50th anniversary this year. Paul and Wayne look back on the film’s legacy and celebrate its “ballet of violence”
how Peckinpah turned the Western genre on its head
In a prolific career spanning six decades, actor Burt Reynolds was a definitive American icon and one of the world’s most famous stars of film and television. As much a folk hero as a Hollywood celebrity, he began as a stuntman and bit player in B Westerns and TV shows before landing a starring role on NBC’s Riverboat (1959–1961). His breakthrough role in Deliverance (1971) made him famous and the sleeper hit Smokey and the Bandit (1977) made his name a household word.
In this podcast, Paul Farren talks to author Wayne Byrne about his latest book, Burt Reynolds on Screen, the first critical overview of Reynolds’ work which examines his complete filmography, featuring candid discussions with costars and collaborators, exclusive behind-the-scenes photos and a wealth of film stills.
Wayne Byrne is a writer and film historian. He is the author of Include Me Out: The Cinema of Tom DiCillo, Nick McLean: Behind the Camera – The Life,Work of a Hollywood Cinematographer, and Burt Reynolds on Screen. He has written for Hot Press, Books Ireland, Film Ireland, The Dark Side, the Irish Times, and other publications.
The Last Right is a comedy-drama road movie telling the story of a man bringing the body of someone he barely knows for burial with his family. His good intentions are motivated by trying to patch up his relationship with his own brother. However, en route from West Cork to Rathlin Island, both romance and family secrets emerge to complicate the trip.
In this podcast Gemma Creagh talks to writer/director Aoife Crehan about her debut feature and guides us through the development process.
The Last Right is released in cinemas 6th December 2019.
In this Film Ireland podcast Gemma Creagh talks to iffy film festival director Duncan McKenna and filmmakers Aoife Nic Ardghail and Jack Thornton, whose films Casual and Love Lane United are screening at the festival, which takes place on Saturday, 23rd November at The Pearse Centre Theatre, Dublin 2.
Maura, an aspiring poet, has been dumped in a voice mail. It was only a casual thing, but she’s still stuck with those grim feelings that come with rejection: self loathing, anger, resentment and an insatiable hunger for chocolate mousse.
Love Lane United (Jack Thornton)
A group of underachievers who decide to start a Sunday League football team leading to hilariously disastrous results.
In this podcast, Gemma Creagh chats to Shelly Love, the director of A Bump Along the Way which introduces us to Pamela, a boozy 44-year-old single mother whose teenage daughter Allegra disapproves of her care-free lifestyle. Their fragile relationship is further tested when Pamela becomes pregnant after a one-night stand.
her background in film
the choreography of directing
how A Bump Along the Way came together
prepping for the project
the production design on the film
working with Die Hexen on the soundtrack
working with 50 / 50 cast & crew + Abbey the dog
working on the edit with Helen Sheridan at Yellowmoon post-production facilities
Tra na mban / Ladies Beach (2019) Mexico (6.36) Dir. Carmen Garcia Gonzalez
In the west coast of Ireland, a group of Irish women 40 to 80 years old swim every morning in the Atlantic cold waters come rain or shine. Martell, who hasn’t missed a day in 10 years now, let us know how is it for her and the swimmers to meet at the Ladies Beach in Galway, vent together under the cold water and share a hot coffee and a warm chat afterwards. A tight-knit bunch brought together by their love to the sea.
From left to right Katie McNeice, Tom Speers, Maya Derrington, Gemma Creagh and Roisín Geraghty
In this podcast, we welcome three filmmakers whose works are screening at this year’s GAZE International LGBT Film Festival(1 – 5 August). Maya Derrington, Katie McNeice and Tom Speers join Gemma Creagh to talk about their films and filmmaking.
Plus festival director Roisín Geraghty pops in to give us a quick look at this year’s programme.
Frida Think(Maya Derrington)
A woman walks into a party dressed as Frida Kahlo, only to find that her version of unique has mass appeal.
In Orbit (Katie McNeice)
A hypnotic and beautiful love story between two women that crosses both time and space.
Boy Saint (Tom Speers)
A sumptuous short film of friendship and adoration between boys, based on a poem by Peter LaBerge.
This month at the Cannes Film Festival, 20 up and coming producers from 20 different countries from throughout Europe participate in ‘Producers on the Move’. The initiative is aimed at connecting young, enterprising European producers with potential co-production partners, strengthening their industry networks and, at the same time, providing a solid and visible platform for this next generation of European filmmakers. They take part in project pitching, 1:1 meetings and case studies, social events and an extensive press campaign, which includes online presentation and profiles in the international trades.
This year Cormac Fox of Vico Films was selected as Ireland’s EFP Producer on the Move for 2019.
Cormac has produced several feature films for Vico Films, including Fiona Tan’s History’s Future, which premiered at the International Film Festival Rotterdam in 2015, Peter Foott’s 2016 local breakout hit The Young Offenders, and Sophie Hyde’s Animals which had its world premiere at the 2019 Sundance Film Festival and comes to Irish cinemas later this year. He is currently producing a TV series, Cold Courage, for Viaplay.
Gemma Creagh met Cormac to talk about his career to date as a producer and what to expect in Cannes.