After the Dance – Review of Irish Film at Jameson Dublin International Film Festival 2015

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Ronan Daly shimmied his way into After The Dance, which screened at the Jameson Dublin International Film Festival.

After The Dance, directed and filmed by Daisy Asquith, is a documentary following her mother’s search for family and the scars that shame and secrecy can leave behind.

Conceived by unmarried parents after a local dance in Co. Clare, Pat, Daisy’s mother, was given up for adoption to an English couple and remained a family secret for some forty years, until she met the eight half-siblings that were born after her mother’s marriage. Pat was overjoyed to have found a flesh and blood family, but soon found that their familial bond was overshadowed by the still present feeling that she was a black stain on the family’s pride and she was effectively banned from ever setting foot in Co. Clare. However, in the Irish West, Catholic shame and guilt so often go hand in hand with a great deal of craic to be had, so don’t write this film off as a gloomy affair just yet.

The documentary begins with Pat and Daisy exploring the local church that Pat’s parents would have attended, with Pat noting that, although the Catholic Church has been responsible for her effective banishment from her homeland and caused a profound sense of loss and isolation throughout her life, (okay, it is just a little bit gloomy at times, but it gets better, I promise), she nonetheless finds herself essentially programmed by her upbringing to respect the church and its teachings. Twenty years after she was first told not to set foot in the county, Pat’s mother is now dead and she feels that her right to know her heritage outweighs the likelihood of embarrassment reaching beyond the grave.

With the support of Daisy and just one of her eight siblings, Pat steps bravely into the rural West, looking to find her father, with only the name Tom Brown and a few bare facts to go on. We’re given a pretty colourful look at the locals, who all seem to be variations of the same drunken old charmers, with their heavy accents carefully subtitled. This is interspersed with a few black and white short pieces of footage of the Ireland of yesteryear, with Sean and Mary O’Reilly walking barefoot home from school and the bent, smiling Mr. O Flaherty working away happily in his potato patch. The effect here feels very tongue in cheek and is definitely a lot of fun, though it does skirt dangerously close in its editing to patronising the quaint wee country Irish folk.

All of this is put phenomenally into perspective when we encounter John and Mary Browne, who seem to have a reputation for being “a bit odd” and who live with an insistence on sticking to tradition, feeling that “with every advance, you lose something.” Johnny has never travelled farther from home than Limerick while Mary is a woman of few words with an impressive collection of woollen hats. While at first glance, this couple seem to embody the decades old Ireland which would have branded Pat as the social equivalent of leprosy, they’re very soon revealed to be the warmest, most welcoming sort of family Pat could have asked for, not giving an ounce of undue worry to what people might say.

“We find that if people don’t do any harm, we’re happy with them, like.” – Johnny Browne.

Pat and Daisy’s journey doesn’t end in Clare, and they soon set out to find out as much as they can about where and who they came from.

“It’s like putting the piece in a jigsaw that brings out the picture.” – Pat.

Charismatic and honest, hilarious and heartbreaking, this film speaks volumes about shame, guilt, the all-too-Irish obsession with not ‘letting the family down’ and the hopefully equally Irish sentiment of ‘Family’s family, and feck anyone that has a problem with that.’

After The Dance  is a healthy reminder that although some of the ignorance and apathy in recent Irish history is staggering, maybe sweeping our shame under the rug isn’t the best response.

 

After The Dance screened on Thursday, 26th March 2015 at the Light House Cinema as part of the Jameson Dublin International Film Festival.

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Irish Film at Jameson Dublin International Film 2015

One of our favourite times of the year is upon us once more with the return of the Jameson Dublin International Film Festival. Running from 19 – 29 March 2015, the 13th edition of the festival delivers another diverse and exciting programme of films from across the world. And, as always, amongst this year’s programme is a fantastic line-up of Irish films, which we’ve gathered below for your convenience, beginning with the festival’s opening film The Price Of Desire, Mary McGuckian’s beautiful depiction of Irish designer Eileen Gray.

Get booking and get watching.

 

 

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The Price Of Desire (Mary McGuckian)

Thursday, 19th March 2015

8:15PM

Savoy

Mary McGuckian’s The Price Of Desire,  about Irish designer and architecture pioneer Eileen Gray, opens this year’s festival. Starring Orla Brady, Vincent Perez and Francesco Scianna, the Irish-Belgian co-production is the controversial story of how Eileen Gray’s contribution to 20th century architecture was almost entirely effaced from history.

Mary McGuckian, Orla Brady, and Vincent Perez will attend the screening.

 

 

 

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Coming Home (Viko Nikci)

Saturday, 21st March 2015

4:00PM

Light House Cinema

Angel Cordero was charged with attempted murder following a stabbing in The Bronx . Despite the evidence, Angel was convicted and served thirteen years in prison. Seven years later, Dario Rodriguez confessed to the crime. We follow Angel as he is released into a new age of social communication and eventually confronts the man who took away his freedom. But he soon realizes that facing Dario is not his greatest challenge. Angel discovers that the most important thing taken away from him was the relationship with his daughter. At its heart, this is a story about a father’s journey to reconnect with his estranged daughter.

 

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From the Dark (Conor McMahon)

Light House Cinema

Saturday, 21st March 2015

8:30PM

From the Dark centres on a young couple on a road trip through the Irish countryside who encounter an ancient force of evil.

Filmmakers will attend the screening.

Book tickets here

 

Reviewed here

 

 

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Eat Your Children (Treasa O’Brien, Mary Jane O’Leary)

Sunday, 22nd March 2015

2:00PM

Screen Cinema

Eat Your Children is a road-trip quest by two friends who emigrated from Ireland during the financial crash of 2008 and who have now returned to probe Ireland’s so-called acceptance of debt and austerity.

The film uses formal observational footage, voxpop, archive material and a visual-essay style to create a rich and accessible tapestry of audiovisual material. It immerses the viewer into world of the protagonist-film-makers – two Irish women living and working in London and Barcelona who return home to find themselves uncovering the modern incarnations of Irish identity, post-colonialism, nationalism, globalization and resistance.

Treasa O’Brien and Mary Jane O’Leary will attend the screening.

Book tickets here

 

 

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The Great Wall (Tadhg O’Sullivan )

Monday, 23rd March 2015

6:00PM

IFI

Filmmaker’s statement: ‘The Great Wall has been completed at its most southerly point.’ So begins Kafka’s short story ‘At the Building of the Great Wall of China’, and so, at Europe’s heavily militarised south-eastern frontier, begins this film.

In the shadow of its own narratives of freedom, Europe has been quietly building its own great wall. Like its famous Chinese precursor, this wall has been piecemeal in construction, diverse in form and dubious in utility. Gradually cohering across the continent, this system of enclosure and exclusion is urged upon a populace seemingly willing to accept its necessity and to contribute to its building.

From Europe’s edges, The Great Wall moves across various unidentified fortified landscapes, pausing with those whose lives are framed by borders and walls. Moving inward toward the seat of power, the film holds the European project up to a dazzling cinematic light, refracted through Kafka’s mysterious text, ultimately questioning the nature of power within Europe and beyond.

The filmmakers will attend the screening.

Book tickets here

 

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Talking to My Father (Sé Merry Doyle)

Tuesday, 24th March 2015

6:00PM

IFI

Talking to my Father features two voices from two eras each concerned with how we as a nation understand the architecture that surrounds our lives. Modern architecture in Ireland reached a high point in the early sixties and one of its most celebrated and influential figures was Robin Walker. Robin studied under le Corbusier in Paris as a young graduate and later worked alongside Mies van der Rohe in Chicago. His return to Ireland in 1958 coincided with the emergence of an aspiring modern nation recovering from years of stagnation and emigration. Robin Walker became a key agent in this nation-building process.

A quarter of a century after his premature death, Simon addresses his father again and explores the legacy of his life’s work.

Book tickets here

Reviewed here

 

 

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Miss Julie (Liv Ullmann)

Tuesday, 24th March 2015

6:15PM

Cineworld

Over the course of a midsummer night in Fermanagh in 1890, an unsettled daughter of the Anglo-Irish aristocracy encourages her father’s valet to seduce her. A co-production from Norway/UK/Ireland/France, Miss Julie stars Jessica Chastain and Colin Farrell.

Book tickets here

 

 

 

 

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All About Eva (Ferdia Mac Anna)

Wednesday, 25th March 2015

6:00PM

Light House Cinema

All About Eva is an old-school thriller about a young woman seeking revenge upon a wealthy racing magnate whom she blames for destroying her family.

The filmmakers will attend the screening.

Book tickets here

 

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After the Dance (Daisy Asquith)

Thursday, 26th March 2015

8:00PM

Light House Cinema

Filmmaker Daisy Asquith tells the very personal story of her mother’s conception after a dance in the 1940s on the remote west coast of Ireland. Her grandmother, compelled to run away to have her baby in secret, handed the child over to ‘the nuns’. Daisy’s mum was eventually adopted by English Catholics from Stoke on Trent. Her grandmother returned to Ireland and told no-one. The father remained a mystery for another 60 years. Until Daisy and her mum decided it was time to find out who he was. Their desperate need to know takes them on a fascinating and moving adventure in social and sexual morality and the fear and shame that Catholicism has wrought on the Irish psyche for centuries, and connecting them with a brand new family living an extraordinarily different life.

Daisy Asquith will attend the screening.

Book tickets here

 

 

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Dare to be Wild (Vivienne De Courcy)

Thursday, 26th March 2015

8:30PM

Light House Cinema

Dare to be Wild is the story of one woman who sowed the seed of change… It tells the extraordinary and inspiriting true story of Irishwoman Mary Reynold’s journey from rank outsider to winner of a Gold Medal at the Chelsea Flower Show. Mary grew up with a strong affinity to the environment and a belief that somehow it was her destiny to use her talent as a designer to put environmental issues centre stage. Wild follows her journey from naive and impressionable ingenue to a impassioned and pioneering designer.

The filmmakers will attend the screening.

 

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Glassland (Gerard Barrett)

Friday,  27th March 2015

6:30PM

Light House Cinema

In in a desperate bid to save his mother (Toni Colette) from addiction and unite his broken family, a young taxi driver (Jack Reynor) on the fringes of the criminal underworld is forced to take a job which will see him pushed further into its underbelly. But will John be prepared to act when the time comes knowing that whatever he decides to do, his and his family’s lives will be changed forever.

Gerard Barrett and Jack Reynor will attend the screening.

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Ten Years In The Sun (Rouzbeh Rashidi)

Friday, 27th March 2015

8:00PM

Light House Cinema

An assortment of obscure private obsessions, conspiracies and perversions flicker on the verge of inoherence against the context of vast cosmic disaster in Rouzbeh Rashidi’s boldest film to date. This sensory onslaught combines a homage to the subversive humour of Luis Buñuel and Joao Cesar Monteiro with the visionary scope of a demented science fiction epic.

Book tickets here

 

 

 

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Tana Bana (Pat Murphy)

Friday, 27th March 2015

8:40PM

Light House Cinema

Varanasi is the ancient city on the Ganges where Hindu pilgrims come to bathe at dawn and where cremation fires burn along the sacred river long after night has fallen. The city is also famous for the Moslem silk weavers whose ancestors traveled along the Silk Road and whose history is interwoven with that of their Hindu neighbours.

Loosely structured as a day in the life of Varanasi, this unique, intimate documentary explores how the Moslem community of weavers respond to huge economic shifts in their lives and shows the difficulties they face in passing on traditional weaving skills to their children. The film also gives voice to the changing roles of women within this enclosed world.

Pat Murphy will attend the screening.

Book tickets here

 

 

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Let Us Prey (Brian O’Malley)

Friday, 27th March 2015

10:40PM

Light House Cinema

Rachel, a rookie cop, is about to begin her first nightshift in a neglected police station in a Scottish, backwater town. The kind of place where the tide has gone out and stranded a motley bunch of the aimless, the forgotten, the bitter-and-twisted who all think that, really, they deserve to be somewhere else. They all think they’re there by accident and that, with a little luck, life is going to get better. Wrong, on both counts. Six is about to arrive – and All Hell Will Break Loose!

Book tickets here

https://www.youtube.com/watch?v=k2fnLntATUo

 

 

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Yximalloo (Tadhg O’Sullivan, Feargal Ward)

Saturday, 28th March 2015

2:00PM

Light House Cinema

Naofumi ‘Yximalloo’ Ishimaru is an obscure cult musician, living and working on the fringes of music and society for all of his storied life. A self-taught, self-styled pioneer with a vast back-catalogue, Naofumi currently lives with his disabled civil partner in an anonymous, unfriendly cul-de-sac in a Dublin suburb. Torn between his loyalties to Gerry, his yearning for Japanese society and the dream of making his international music career pay, Naofumi endures a difficult year. Moving between Dublin and Tokyo, this touching portrait opens up the world of a deeply individual character to explore universal ideas of life, love and loneliness.

 

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Wheel Of Fortune: The Story And Legacy Of The Fairview Lion Tamer (Joe Lee)

Saturday, 28th March 2015

3:30PM

Light House Cinema

 

Filmmaker’s statement: Wheel of Fortune is a documentary feature film about Bill Stephens, an ordinary young man in 1950s Ireland with an extraordinary ambition: to become an international circus star. It is also a love story about Bill and his young and beautiful wife May, from East Wall. Their double act, Jungle Capers, Bill Stephens and Lovely Partner, was a series of death-defying feats with a troupe of lions and dogs designed to thrill audiences in the  circus tent and on the stage. With this act they hoped to break free from the suffocating reality of Irish life, but things went terribly wrong when, in November 1951, one of their animals escaped. The story gained national and international attention at the time, but it is only now – after 60 years of silence – that two families and a community have come together to tell the story in full.

The filmmakers will attend the screening.

Book tickets here

 

 

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The Canal (Ivan Kavanagh)

Saturday, 28th March 2015

8:30PM

Light House Cinema

Set in rural Ireland, The Canal stars Rupert Evans as David, a film archivist with a morbid fascination for old films in which the subjects have since died. Right after learning that his wife may be cheating on him, she mysteriously disappears at the same time that his assistant Claire finds an old reel of film that points to a murder that took place in his house a hundred years ago. David starts to suspect her disappearance may involve some form of the supernatural but he also quickly becomes the prime suspect.

Rupert Evans will attend the screening.

Book tickets here

 

 

You can check the full programme here

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