DIR: Tina Gordon • WRI: Tina Gordon, Tracy Oliver • PRO: Kenya Barris, James Lopez, Will Packer • ED: David Moritz • DES: Keith Brian Burns • MUS: Germaine Franco • CAST: Justin Hartley, Regina Hall, Marsai Martin
Little pits its three gifted comedic actors against the conventions of mainstream Hollywood comedies. In the battle what’s left is a middling film with some intermittently very funny scenes. It does not reach the highs of say Girls Trip or Spy but ranks above dreck like Identity Thief or The Change-Up.
Rising star Issa Rae (HBO’s Insecure) plays April, the overworked assistant to Scary Movie’s Regina Hall’s Jordan, a ruthless highly-strung tech mogul. As a result of being bullied as a child, the boss has grown cruel, treating everyone at her office like trash. After Jordan berates the daughter of a street vendor who made her angry, the young girl places a spell on her. The boss wakes up the next morning in the body of her young self, played by Black-ish’s Marsai Martin.
Based on an idea by its 14-year-old lead and executive producer, Little works best as a star vehicle for Martin and Rae. The film really comes alive in its middle portion, putting April and young Jordan together for a string of misadventures – such as having to deal with a child protective service agent (the great Rachel Dratch). It’s always funny when children act like grown-ups and Martin manages to charm while nailing the ‘take no prisoners’ attitude of her adult self. Bounce that against the perpetually cheery Rae and it’s a winning combination.
However, like a lot of plot-driven comedy, somewhere along the way the jokes grow infrequent. This is because the movie starts hammering home its simple message – that adults should embrace their inner child more as kids are purer and more idealistic. Concluding with Jordan taking part in the same talent show that led her to be bullied in the past, performing one of the movie’s many dance routines, the viewer just wishes that time was seeded to more of Martin and Rae’s witty banter.
There’s also other issues like the completely redundant bookending narration by Regina Hall and the fact that even before the magical sub-plot is introduced, nothing in the movie feels rooted in any tangible reality. In regards the latter, if anyone acted like Hall’s Jordan in real life they would be arrested. While this is forgivable as Little is a fantastical comedy, it’s hard not to feel that if the movie made adult Jordan feel even slightly realistic and had her tech company offices resemble a real-life workplace, the viewer might relate more to Little’s characters by the time the shift into fantasy comes.
Lacking gross-out gags, the movie will appeal to all audiences – something uncommon in the landscape of modern Hollywood comedies. If you are looking for a light movie where talented comediens dress in the most fabulous clothes, Little is a fine way to spend about 100 minutes.
12A (see IFCO for details)
Little is released 12th April 2019