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Recent Posts

• Maurice Sweeney, Director of ‘I, Dolours’
• Irish Films To Look Out For in 2018
• Review: The Predator
• Review: The Nun
• 19th Kerry Film Festival
• Burt Reynolds
• Review: American Animals
• Irish Film Review: A Mother Brings Her Son to Be Shot
•  Call For: Entries for Celtic Media Festival 2019
• Half-Light Post Production Unveils Audio Post-production Studio
• Irish Composer, Stefan French, nominated at World Soundtrack Awards
• Wexford Documentary Film Festival 
• Review: Upgrade
• CineCafé Club September
• Dublin Arabic Film Festival 2018
• Bleeding Pig Film Festival
• Another Look at BlacKkKlansman
• Irish Film Review: I, Dolours
• Irish Film Review: Black 47
• Call For: Applications for International Co-Production Development Fund
• Wicklow Film Festival 2018
• Latest Reviews
• Review: BlacKkKlansman
• Call For: Submissions for The Dublin Port Short Film Prize 2019
• Film Mayo Creative Ireland Residency Award Winner Announced
• Early Irish Cinema: “A Photo-Play of Unique National Interest”: Seeing Knocknagow in Irish Cinemas, January-April 1918
• Call For: Submissions for Dig Where You Stand 2018
• Lenny Abrahamson to Direct Adaptation of Sally Rooney’s ‘Normal People’
• Call For: Submissions for IMRO | RTÉ Scoring For Film Programme
• ‘The Lodgers’ on Netflix
• ‘Michael Inside’ Nominated for European Film Awards 2018
• Call For: Submissions for Celtic International Fund
• Irish Film Review: The Image You Missed
• Local Films for Local People – Archive Screenings at Thoor Ballylee @ Galway Film Fleadh
• ‘A Mother Brings Her Son to Be Shot’ in Cinemas in September
• Neil Jordan Donates Archive to National Library of Ireland
• 16th IFI Documentary Festival
• Review: First Reformed
• ‘Let Your Guard Down’
• CineCafé Club brings Spanish Cinema for Free to Dublin in August