DIR: Lynn Shelton • WRI: Andrea Seigel • PRO: Kevin Scott Frakes, Steve Golin, Alix Madigan, Myles Nestel, Raj Brinder Singh, Rosalie Swedlin • DOP: Benjamin Kasulke • ED: Nat Sanders • DES: John Lavin • MUS: Benjamin Gibbard • CAST: Keira Knightley, Chloë Grace Moretz, Sam Rockwell, Kaitlyn Dever, Jeff Garlin, Ellie Kemper
Growing up is not an easy thing to accept, particularly when all those around you are blazing a trail in their lives and you seem to be looked upon as the unproductive one. This is the main focus of Lynn Shelton’s ninth feature film, as Megan (Keira Knightley) finds herself 28 going on 16. The film is interesting in that it is female-centred in a predominantly male-dominated genre (much like Bridesmaids from 2011).
The film follows Megan, a woman in her late twenties who has simply drifted through life, having all decisions made for her. This is thanks in no small part to the pampering she receives from her father (Jeff Garlin), who still employs her as a sign-holder. One of Megan’s friends is getting married and, while all her other friends have started families and got good jobs, Megan is still more than happy to continue living an uneventful life, and is still with her lovable but dim high school boyfriend Anthony (Mark Webber). However, when he proposes, and she finds her father cheating, Megan’s world is rocked. Her safe haven of a world has been threatened, and she leaves.
In an attempt to recapture her adolescence, she buys alcohol for a group of teenagers, and becomes particularly close with the group’s leader, Annika (Moretz). Telling her boyfriend that she is attending a week-long, self-improvement seminar course, Megan stays in Annika’s to try to come to terms with the fact her fun-fuelled young days are over.
Shelton’s film is solid overall, particularly in the first half. Megan’s conundrum is something everyone can relate to at some point in their lives as the shackles of our ideal younger world are threatened by the looming presence of adulthood. What is undoubtedly the film’s strongest point is the outstanding acting performances by all the cast, particularly Knightley and Moretz. Considering the high-calibre films Knightley has featured in over the past decade, it is amazing how comfortable Moretz is alongside her on-screen, and she gives a truly compelling performance as the younger embodiment of Megan’s personality.
Knightley’s performance is also one of assured quality. She is remarkably suited to the role, and really lets the audience connect with the character. Even when Annika and her friends ask her to buy them alcohol, Megan is unsure as she isn’t comfortable being the older person, rather wanting to be the person having the alcohol bought for them. Another interesting scene is where she pretends to be Annika’s mother (who has left her father) at a teacher meeting and when Annika is being questioned about her ‘plan’, Megan realises she is no better than her.
Unfortunately, the film slightly falls apart in the latter half. Annika’s father (Sam Rockwell) seems unusually comfortable with having a complete stranger over ten years older than his daughter sleeping in her room. The film, while being intelligent in its opening, falls into typical clichés in its second half, and its ending can be predicted a good half an hour before the final credits roll. What promised to be an interesting premise was not built upon, and one really wonders if Megan’s decision at the end has really made her grow up, or will she now just fall back into a comfortable state of affairs again? It makes the viewer feel slightly cheated, but the film is worth it for the acting displays on show.
15A (See IFCO for details)
Say When is released 7th November 2014
Say When – Official Website