DIR: Francis Lawrence • WRI: Simon Beaufoy, Michael Arndt • PRO: Nina Jacobson, Jon Kilik • DOP: Jo Willems • ED: Alan Edward Bell • DES: Philip Messina • MUS: James Newton Howard • CAST: Jennifer Lawrence, Josh Hutcherson, Elizabeth Banks, Woody Harrelson, Donald Sutherland
The first instalment of The Hunger Games was an entertaining adaptation of the first novel in the series of three. The unique concept of the novel and its futuristic setting was enough to keep the story moving. However, it was the undeniably charismatic charm of its lead Jennifer Lawrence that brought heart to the story. Lawrence (along with her Oscar) and her fellow cast mates return with Catching Fire to see if they can replicate their success, this time with director Francis Lawrence (I am Legend).
Catching Fire is actually an improvement on its predecessor, the story is darker with Katniss Everdeen (Jennifer Lawrence) beginning to look outside of her immediate situation to see the harsh reality of the people of Panem’s lives. Rebellion is on the horizon and the bleakness of their world is apparent. While the danger for Katniss and her partner Peeta Mellark (Josh Hutcherson) in the first film is confined to the arena where the Hunger Games are conducted, in Catching Fire the danger is omnipresent and cannot be escaped.
We join Katniss and Peeta when they have survived the Hunger Games of the first film and are now being paraded in front of the districts to calm the mounting disquiet of the inhabitants. The creepy President Snow (Donald Sutherland) has plans for their demise and the threat of a real war is increasing. The inevitable love triangle is not as important a storyline as in other teenage blockbusters, with it being almost an inconvenience to the strong female lead of Katniss. In a post-Twilight world it has been a delight for audiences and critics alike to have a female lead like Katniss, whose concerns stretch a lot further than which boy to pick, and she is the polar opposite to the weak Bella Swan.
The only failing with the film is its length, at nearly two and a half hours it does drag in the middle, with the period in the arena the tightest and most exciting. The time in the arena brings home the themes of dystopia and is truly scary at times with all contestants out of their depth and fighting for their lives. Catching Fire is what a blockbuster should be like, and the male heroes of Superman, Batman and countless Marvel films could learn a thing or two from the ever-natural appeal of Lawrence. I, for one, hope Lawrence can keep this success rolling into its final two films.
Ailbhe O’ Reilly
The Hunger Games: Catching Fire is released on 22nd November 2013