DIR: Oren Moverman • WRI: James Ellroy, Oren Moverman • PRO: Ben Foster, Lawrence Inglee, Ken Kao, Clark Peterson • DOP: Chr Bobby Bukowski • ED: Jay Rabinowitz • DES: David Wasco • Cast: Woody Harrelson, Ben Foster, Sigourney Weaver, Jon Bernthal
The story of Rampart is the story of corruption itself. Woody Harrelson plays ‘Date-Rape’ Dave Brown, a hard-drinking LAPD officer who lives by his own set of morals and ethics – or rather, his lack thereof. Dirty cops aren’t a particularly new topic in films. It is, however, strange for them to be front and centre in a film. That being said, it makes for an engrossing experience. Brown is embroiled in a scandal involving police brutality. Caught in the lens of the media, his life slowly begins to spiral out of his control as he attempts to put right what he perceives as an injustice dealt upon him. His methods becoming increasingly violent and extreme, culminating in a botched armed robbery that sets the story in motion.
The plot is surprisingly straightforward for a James Ellroy-penned script. This gives it a primal drive, much like Harrelson’s character – single-minded, bull-headed and utterly ruthless. Harrelson gives a performance not seen since Natural Born Killers. He is a monstrosity; lascivious and gluttonous in his pursuits of women and drugs. Much like his performance in Natural Born Killers, his character is working under the assumption that he is judge, jury and executioner – that no law will hold him. This is a topic that is not uncommon in James Ellroy’s previous work, although the distinction here is that the consequences are more prevalent and are being meted out by authority, instead of being covered by them.