Spotlight on 'Pyjama Girls'

| August 17, 2010 | Comments (1)

Pyjama Girls

Film Ireland talks to Maya Derrington about her debut feature documentary Pyjama Girls

Pyjama Girls is a touching, absorbing slice of Dublin life that has the audience transfixed from beginning to end. Running at a tight 70 minutes, the film draws you into the chaotic life of Dublin teenager and habitual pyjama-wearer Lauren.

Over the course of the film we learn about the challenges that life throws at Lauren – from her addict mother to the disruptive world of the flats – and understand the crucial importance of her friendship with her more grounded best friend Tara. Balancing tenderness with hilarity, Pyjama Girls tracks the explosive micro-dramas of teenage life against the bleak backdrop of Dublin’s inner city flats.

The film has been described as an ‘observational documentary’ and the strongest scenes are those that capture the tension and love in conversations between Lauren and her immediate family members. One scene in which Lauren has her fingernails painted by her little sister is worth the admission price alone.

These observational scenes are interspersed with more stylised interview-based expositional vignettes that retrospectively tell the story of Lauren’s young life. These scenes bring us closer to Lauren and give us insight into her behaviour and temperament.

Derrington decided to make the film when she spotted some young girls on the street in pyjamas and was shocked by the sight.

‘I was inspired to make the film because of my own surprise and fascination with the daytime pyjama phenomenon. I asked myself why an item of clothing would bring out such shock in me because I’d usually be quite laid-back about clothing. Then I noticed that people all over the city were getting riled by the topic. The vitriol it provokes reminds me of the response to punk. I wanted to explore on screen the intensity of being a female teenager: the everyday dramas and the depths that are hidden behind the clothes and the posturing.’

Derrington used the setting of the flats and the pyjamas themselves as visual inspiration when approaching the film.

‘There were two things in my mind as I began, one was the bright softness of the pyjamas as a metaphor for female teenage life and against that the harsh lines of the flats. I was really struck by the architecture of the area which combined brutality and community, so I wanted the place to be very present within the film.’

The project was funded by the Irish Film Board under the micro-budget scheme, which completely funds films up to a total budget of 100k. The film was a big undertaking that took up two years of Derrington’s life and the budget was therefore understandably tight.

‘We put it forward for funding as a low-budget project because we just wanted to get on with it,’ says producer Nicky Gogan. ‘We had pitched it to a few broadcasters at the Sheffield Documentary Film Festival and although people seemed interested in it, we felt that if we wanted to make the film that Maya imagined we might need funders who were a little more open and flexible to what it might become. We kept it low-key, often it was just Maya and AP Sinead Ni Bhroin that made up the crew, and that suited the observational approach.’

‘One of the descriptive terms we used throughout preproduction was “micro-dramas”,’ adds Derrington. ‘We wanted to find the micro-dramas of female teenage lives and I think that term in itself would be enough to terrify a lot of commissioning editors. That along with the term “observational”, because any observational work creates big challenges for commissioning editors because you can’t guarantee what will happen.’

One of the great challenges of making an observational film can be finding an ending and Derrington admits that she had some sleepless nights wondering where the film would end.

‘I have to admit that I didn’t think I had an ending. The girls we were following kept joking that they were going to get themselves arrested to give us an ending. It was in the edit that we found the ending. It says something about the open-ended nature of life.’

Judging by the response, Pyjama Girls has plenty to look forward to in the future.

Pyjama Girls is released in the IFI on 20th August

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  1. CELINE BONASS says:

    I watched with horror (as several of my work collegues did)(we discussed at our tea break this morning)your programme last night 13/03/12 *Pyjama Girls*. How dare you suggest that this is a reflection of life in Dublin. Where did you resurect this family and their friends from (I dont mean area) I know & work with lots of people from several parts of Dublin, and this is certainly not a true reflection of their lives. It was an appalling programme, and I feel angry at you for supporting such crap. I am discusted. What part of the country are you from and who gives you the right to churn out such garbage.

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